Ways to Spend (a small part of) Your Weekend
Over at Boing Boing, Cory Doctorow gets around to reading Dan Ariely’s Predictably Irrational, a study of consumer behavior that challenges the “rational consumer” hypothesis. CD also links us to this NPR story on obsolete professions, such as switchboard operator, ice-deliverer, and “lector,” who is the guy hired by all the cigar workers in the factory to sit in the center of the factory floor and loudly read the workers left-wing newspapers and pro-union propaganda, so that everyone can better themselves and become less alienated from their labor. If this job ever makes a comeback, I want to do it! The NPR piece has photos of each profession and audio clips of very, very old people talking about when these things existed and they themselves–young then–did them.
Dennis Cooper is testing your sight recognition skills at a French wax museum. I already failed utterly.
The Rumpus asks: Would you like to write about poetry (for the Rumpus)?
Tell us about the last poem or book of poetry you loved, no length requirements. The best will be published right here in the blog. Send your entries to poetry-at-therumpus-dot-net.
They’re also looking for people interested in reviewing full-length poetry collections. But FYI: Stephen Elliott and I had a long conversation the other night about the problems with book reviews for sites like his (and ours); we are both highly suspicious of the kinds of “reviews” that read like press releases or protracted blurbs, because they don’t tell us anything we can’t glean from a blurb, which is two lines long instead of seven paragraphs. The site-meters prove that these pieces don’t get read or linked the same way that more incisive, interesting books-pieces do, so neither the book nor the review-author nor the site is benefiting. If you’re going to try and review some poetry for The Rumpus–which you absolutely should–be sure and give them some red damn meat to sink their teeth into–something we’ll want to link to after they publish it, something that tells me something about the book I couldn’t glean on my own from its Amazon page. Good luck!
NYTea Time: Lydia Millet loves on the new Lipsyte, and Laura Miller likes the new John Banville, but Allison Glock seems to like Tammy Wynette less after reading Jimmy McDonough’s new biography of the country star.
The life story of the fame/drug-addled brat is nothing new, but McDonough wants more than for us to appreciate Wynette, he wants us to like Wynette. Because he likes Wynette — a little too much at times. He writes a handful of chatty letters to his subject. Page 1 begins: “Dear Tammy . . . Don’t worry, I won’t spill all the beans — I can’t. There’s just too much about you that will never be resolved.” Putting aside the dubious choice to shoot your biography in the foot on the first page, writing mash notes to a dead woman is oddly creepy — and only grows more so as the letters progress, one recounting a dream he had about her in which she wore “a yellow pantsuit and matching headband.” At another point he admits to having had “the hots” for her.
Yeesh. Also: A book about making moonshine, Sam Lipsyte answers Stray Questions, and Daniyal Mueenuddin won the Story Prize.
Michael Kimball Guest Lecture #3: The Rough Parts
Here’s a quote from Rachel Carson: “The discipline of the writer is to learn to be still and listen to what his subject has to tell him.” I always read “still” as “sit still,” which makes me think of this quote from Harry Crews (via Opium): “Sometimes you need to affix your ass to the chair.” That is, sometimes, sitting down and doing the work can be the most difficult part of being a writer. Sometimes, it’s the other parts of life that get in the way. Other times, it is the fiction itself, how we think about the fiction at different points in the process.
So how does the writer get through the rough parts, the blank parts, the parts that we know suck? Virginia Woolf says it is determination: “It is worth mentioning, for future reference, that the creative power which bubbles so pleasantly in beginning a new book quiets down after a time, and one goes on more steadily. Doubts creep in. Then one becomes resigned. Determination not to give in, and the sense of an impending shape keep one at it more than anything.”
Michael Kimball Guest Lecture #2: Keeping Going
So let’s say we have a great opening and maybe even a good idea or an interesting voice to go with it. Now what? How does the writer keep going? One of the things that has helped me keep going while I’m working on a novel is not thinking about it. That is, I try to not think about what I’m writing when I’m getting it down (the thinking, so to speak, comes later). For me, it’s just a voice speaking, a way of talking, and I’m trying to be receptive to it, open. I’m just trying to get from one sentence to the next sentence. Often, I do this by looking at the previous sentence—its syntax, the words in play, the acoustics of it—I’m thinking in these small ways, but not so much in bigger ways (say, story or plot or idea). I’m just trying to get material down, which is the hardest part for me. After that, after I have something to work with, then I feel like I can do something with whatever I have on the page. It’s the blankness that is difficult for me, filling in the blankness.
Here are some quotes from Sam Lipsyte, Gary Lutz, Joseph Young, and Blake Butler that discuss a similar process in somewhat different ways.
NYers: Open City 28 Party
Yet another reason to be in NYC: next Tuesday’s Open City party, in celebration of their new issue (open bar and a copy with $10 entry), not to mention Sam Lipsyte’s new novel The Ask (also holiday-purchase worthy), and don’t forget their newest book, Rachel Sherman’s Living Room!
Please join editors Thomas Beller and Joanna Yas for the 2009 Holiday Party to celebrate the launch of Open City #28
Featuring short readings by Jonathan Dee and Sam Lipsyte Tuesday, December 15, 7-9 p.m. (readings will begin at 8 p.m.) The Hi-Fi Bar, 169 Avenue A (between 10th & 11th), NYC $10 Admission (includes a copy of the magazine and open bar) Open City #28 features: Sophie Cabot Black, Jonathan Dee, Louis B. Jones, Gary Lippman, Sam Lipsyte, Miranda Lichtenstein (cover), Sarah Malone, Leslie Maslow, Michael McGrath, Ben Nachumi, Kevin Oberlin, Adam Peterson, James Schuyler, Dan Sofaer, Christopher Sorrentino, and Laurie Stone.
Mark your calendar!
December 8th, 2009 / 1:56 pm
Some Jews are OK?
Thanks to Tony O’Neill for the tip off: christwire.org calls Jonathan Safran Foer “A Jewish Star Christians Really Can Follow!”.
Some direct quotes from the article:
John Updike crowned Foer the genius voice of his generation, but sadly, the rest of that generation was off growing goatees and clicking around MySpace.
His soaring words put cruel and negative Jewish writers like Gary Shteyngart, Sam Lipsyte and Michael Chabon to shame. All they write about is chasing homely girls and how they lack the jocky virility to open a mayonnaise jar. Pathetic!
Snap! Take that Lipsyte, ya hack!