O Captain, My Captain: Lish Power Quote #1
It’s like listening to something nobody else is. Which is what it is when you’re supposed to be the author of it.
– Arcade, p. 136
Eugene Lim’s Reading Diary
For those who often feel they’re having trouble figuring out what to read next, if you have any proclivity for experimentally-based fiction and so forth, the reading diary of Eugene Lim, editor of Ellipsis Press, is a really great database of some obscure to semi-obscure works that all seem worthy of greater attention.
Lim’s reviews are short and smart and to the point, and don’t spend more than enough time talking than to get you excited on the concept and execution of the book. Whereas other review sites can be burdensome or have too much to say, these are snippets, wise-minded ones, and there is quite a trove already online.
Recently posts by Lim include: The Changeling by Joy Williams, The Easy Chain by Evan Dara, Main Brides by Gail Scott, Liquidation by Irme Kirtesz, Marsupial by Derek White, and months and months more. A quick fix for your ‘what next’ troubles, for sure, and some great musings for books you might have already read.
And if you haven’t yet already, Lim’s own Fog and Car should be right at the top of your list. Here’s my prior post on that novel. Do a buy.
Tony O’Neill is a Writer I’d Like to Fuck
Sometimes, when I read a man’s book, it makes me have sexual fantasies about him. Now, Bukowski had full-on groupies, as did Mailer and -well, countless others — so I know I am not alone with these feelings. The most recent man who inspired “I want to fuck you” in me, was Tony O’Neill. Tony O’Neill has written two novels, Digging The Vein, which I mentioned in my Contemporary Press post, and the recently released, Down And Out On Murder Mile. Digging the Vein is about being a junkie in Los Angeles and Down and Out On Murder Mile is about being a junkie in London. Both books are extremely unsentimental accounts of Tony’s love affair with smack and love moments with cocaine. They are terrific reads. He also has poetry scattered throughout the internet that I like and has published a book of them with Social Disease Books. He just has this wonderful no bullshit quality to his writing that makes me think I’d like to get drunk with him and then fuck.
Scott Wrobel
Like A.S. King, who I wrote about last week, Scott Wrobel’s online fiction moved me to contact him to say, “I really love your stories.” Certain writers evoke such compassion from me that it is a “love” that I feel as opposed to a drier kind of admiration or a gleeful joy. I appreciate the many different experiences that fiction can offer me, but it is possible that the feeling I most desire is that deep sort of compassion that Wrobel brings out in my reading experience. In his story “Peckers” in Night Train, his characters try so hard to make everything OK, truly wish for everything to be OK, but of course it’s not possible. He has equally hilarious and soulful work on Identity Theory and The Rake and elsewhere. His humor is meaningful in that it is a necessary tool in handling the pain and sorrow that take up quite a bit of our short time on this planet. I love his depth – I love his bravery. Check out his website here for more links and enjoy the opening to “Peckers” after the jump:
Some of our favorite Weaklings: Recent highlights from Dennis Cooper’s blog
Today is “DC’s obscure porn search and rescue mission #8: Suck Cock America! (1972)

Every picture in this post except for this one came from this funny-creepy instructional website about activities for kids that I found while looking for "newspaper hat" pictures for the Pound post earlier. Instead of using MS Paint, why didn't they just give the kids emo haircuts?
How Hated Is Jonathan Safran Foer?
The Guardian just released an article about how much shit talking is being directed at Jonathan Safran Foer. Having never read his work, does he really suck that bad?
All I know is that he’s a young successful writer. And from New York. And wears glasses. Wait, I’m looking at his bio photos…I think I hate him…No…Hmm…
From the Guardian comments section:
I always presumed Foer would be exactly the kind of author I would hate. He writes long, self-important books that fill 3 for 2 sections of chain bookstores, marketed perfectly as the clever read for stupid people.
Nice. Read the Guardian article HERE.
Ounce of Pound: Grad School Edition
In the main I don’t see that teaching can do much more than expose counterfeit work, thus gradually leading the student to the valid. The hoax, the sham, the falsification become so habitual that they pass unnoticed; all this is fit matter for education. The student can in this field profit by his instructor’s experience. The natural destructivity of the young can function to advantage: excitement of the chase, the fun of detection could under favorable circumstances enliven the study.
Whereas it is only maturer patience that can sweep aside a writer’s honest error, and overlook unaccomplished clumsiness or outlandishness or old-fashionedness, for the sake of the solid centre.
-ABC of Reading, p. 193
****SPECIAL EZRA POUND COMPARATIVE LIT BONUS FEATURE*****
When was the last time you read “Visits to St. Elizabeth’s” by Elizabeth Bishop, about going to see Pound when he was institutionalized? Probably a long time, right? Let’s refresh our memories:
And poets.org has the actual poem here. Try reading it out loud.
2 Recordings of Flannery O’Connor Reading Her Work!
This comes with a tripple hat-tip, and proves why the internet is awesome.
1) Did you know I have the same name as a somewhat famous preacher? That’s right. Justin Taylor of Wheaton, Illinois, who blogs at Between Two Worlds and is the author and/or editor of several books, including Overcoming Sin and Temptation, Communion with the Triune God, The Supremacy of Christ in a Postmodern World, and Where Did Christianity Come From? I often wonder if he knows I exist. I mean, if he searches his own name on Amazon, he’ll get my anthology The Apocalypse Reader, as his #3 response, right between Communion with and Supremacy of.
Franz Kafka: The Diaries 1910-1923
Excerpt from Franz Kafka: Diaries 1910-1923
From the section called Memoirs of the Kalda Railway
Once a month, but always on a different day of the month, an inspector came to examine my record book, to collect the money I had taken in and – but not always—to pay me my salary. I was always warned of his arrival a day in advance by the people who had dropped him at the last station. They considered this warning the greatest favour they could do me in spite of the fact that I naturally always had everything in good order. Nor was the slightest effort needed for this. And the inspector too always came into the station with an air as if to say, this time I will unquestionably uncover the evidence of your mismanagement. He always opened the door of the hut with a push of his knee, giving me a look at the same time. Hardly had he opened my book when he found a mistake. It took me a long time to prove to him, by recomputing it before his eyes, that the mistake had been made not by me but by him. He was always very dissatisfied with the amount I had taken in, then clapped his hand on the book and gave me a sharp look again. “We’ll have to shut down the railway,” he would say each time. “It will come to that,” I usually replied.
After the inspection had been concluded, our relationship would change. I always had brandy ready and, whenever possible, some sort of delicacy. We drank to each other; he sang in a tolerable voice, but always the same two songs. One was sad and began: ‘Where are you going, O child in the forest?’ The other was gay and began like this: ‘Merry comrades, I am yours!’ It depended on the mood I was able to put him in, how large an installment I got on my salary. But it was only at the beginning of these entertainments that I watched him with any purpose in mind; later we were quite at one, cursed the company shamelessly, he whispered secret promises into my ear about the career he would help me to achieve, and finally we fell together on the bunk in an embrace that often lasted ten hours unbroken. The next morning, he went on his way, again my superior. I stood beside the train and saluted; often as not he turned to me while getting aboard and said, “Well, my little friend, we’ll meet again in a month. You know what you have at stake.”
Mean Mondays: Blake Butler hates your medulla oblongata
Blake Butler is the single most selfish individual on the face of this earth. Blake Butler often smells of fatty oils and spits when he talks. I don’t understand how any one finds value in his writing.
Babies eating each other is not good literature. Is it even literature?
He’s constantly writing nonsensical fluff like:
d;lk**346;d44OIIIOOOPP3ffd)
What the fuck am I supposed to do with this? It has no meaning.
Or he’ll misuse body parts in ridiculous sentence structures. “Sniff urethra farm sailing pie”
huh?
Let’s analyze why Blake is a douche.