HTMLGIANT Meetup: “Two-Lane Blacktop” (Chicago)

Warren Oates, Dennis Wilson, Laurie Bird, and James Taylor in "Two-Lane Blacktop."

This coming weekend (October 8th & 9th), Chicago’s Music Box Theatre is screening Monte Hellman and Rudy Wurlitzer‘s 1971 masterpiece Two-Lane Blacktop. Long overlooked, Two-Lane has for the past five years or so been enjoying a critical renaissance, and is increasingly regarded as one of the greatest films of the ’70s. (Click here to read some of my own thoughts on it.) And right now is an especially opportune time to see it, what with its grandchild Drive currently killing things in theaters.

There are two screenings, one Saturday, one Sunday, each at 11:30 AM. I’ll be attending the Saturday 11:30 AM show. Anyone care to join me? The movie is 102 minutes long and I was thinking we could grab a coffee afterward, before peeling off onto our nation’s highways.

(Yes, Two-Lane Blacktop really does star James Taylor and Dennis Wilson—in their only film roles! No, they don’t sing, nor is any of their music used in the movie. Yes, they’re both incredible—though it’s Oates who really steals the show.)

Events & Film / 5 Comments
October 3rd, 2011 / 9:01 am

Sunday Service

Sunday Service: Stephanie Ford Poem

Regional Transportation District

On the bus I saw the scientists. They were re-enchanting
the commute. Atom after atom exploded for them;
every instant they looked at—a kiss, a tattoo—
bloomed, and I learned to hate my kaleidoscope
for making such cold work of beauty. Things change!
At the back of the bus, professor-poets schmoozed Western buddhists
and their backstage passes dazzled us all.
A child, I wanted the buddhists’ marigold minds
and t-shirts, but the scientists wore mild beards of wonderment
and every rider turned a blind eye
to the small-time pushers, the new money planting our medians,
the government building’s blacked-out windows,
and the small way my friend with the yellow braids
vanished. Every loss is a chrysalis, said the oldest poet
through his four-part beard, a living mandala on the 204.
Beard like a river, a tantrum, a tendrilled florescence,
and I pulled the bell-string, exercised my small power. In memoriam
I fixed a dead-grass soup, a weedy tea—scent of paste,
of making. Now the driver wears high-end headphones
and I see the signs for peace and anarchy
switchbladed into safety glass, the scientists
taking pills in precise measurements, pale tongues of gum
stabbed by poets’ pencil tips. The buddhists gone bald
and gossiping in the back, everyone reciting
an abracadabra: Prayer wheels. Power plants. Bluebells. Bus tokens.

Stephanie Ford is from Boulder, Colorado, and now lives in Los Angeles. Her poems have appeared most recently in Tin House, Gulf Coast, Hayden’s Ferry Review, and elsewhere.

Play the Twin Peaks 8-bit Video Game

If you guys like Twin Peaks, like I do, then you’ll probably have fun playing this retro-throwback game.

You walk around as Agent Dale Cooper through the Black Lodge and there’s 8-bit music and all your favorite characters and I guess if you reach 5000 points before you die there’s some sort of easter egg.

Anyway, there’s something for your lonely, pathetic Sunday. Other options include slathering yourself in butter and running naked through Times Square or pretending to watch football while you get drunk on your mom’s couch.

Download for Mac and PC

Web Hype / 7 Comments
October 2nd, 2011 / 9:50 am

DRIVE

You’ve probably heard by now that Drive is very, very good. That’s because Drive is very, very good. Indeed, it’s about as good as a Hollywood film can be these days—it even bears comparison with the great B-movies of the late ’70s / early ’80s, which supposedly went extinct when Hollywood transformed itself into a industry of nothing but A-movies. (Box Office Mojo lists Drive’s production budget as $15 million, which is half as much as Woody Allen’s most recent film.)

After the jump is a spoiler-free list of ten things that I loved about the film.

READ MORE >

Film / 113 Comments
October 1st, 2011 / 12:40 pm

This Is the Only Thing I Feel Like Posting About Literature Right Now

Your Facebook friends have probably already showed you the We Are the 99 Percent Tumblr, but here it is again. It’s PostFrankness instead of PostSecret. Camwhore angles repurposed for a who’s-there roll call in the deep effed.

Behind the Scenes / 29 Comments
October 1st, 2011 / 3:47 am

Juggalos on Writing

“It’s a lifestyle, it ain’t only a music choice.”

“Do what you gotta do, don’t gotta hate on people because they’re different.”

“I do whatever the fuck I want and don’t give two fucking shits.”

“I am fucked up on E and vodka.”

“I got fucked up.”

“It was a fucking spectacle and shit and I don’t give a fuck because it was righteous.”

“I can cook like a motherfucker.”

“I’m a happy motherfucker living life day to day.”

“Most people think I’m on drugs because I’m always happy.”

“It’s a puzzle and each and everyone of us is an integral piece.”

“It actually really burns, I’m not going to lie.”

“Keep it trippy. Legalize everything.”

“The gathering don’t stop. You do.”

“It’s the greatest.”

“I’m still fucking here.”

“Life is something special that you can only have one time. Enjoy the shit out of it.”

“We have alcohol and we’ve got explosives.”

“We just drank a little bit. Probably get all stoned, smoke some hash and fucking chill, do it all again the next day.”

“All of us have jobs.”

“Being a juggalo does not mean you’re not fit for society,”

“I’m insane. I like to stab people, know what I mean?”

“I’m showing my titties to everyone.”

“Why am I a juggalo? Because that’s who I am. That’s how I was born.”

‘There is no bigatory in juggaloism.”

“True life is inside your soul.”

“WOO WOO!”

Craft Notes / 21 Comments
September 30th, 2011 / 7:04 pm

kafka the friendly ghost

do you talk to dead writers?

i do.

READ MORE >

Craft Notes & Massive People & Random / 9 Comments
September 30th, 2011 / 5:09 pm

Protest, Protest, everywhere. Even at the Poetry Foundation!

Reviews

Secrecy, speed, affect: The Marbled Swarm

The Marbled Swarm

The Marbled Swarm

by Dennis Cooper

Harper Perennial, November 1st, 2011

$10.19 / Buy from Amazon

 

 

 

 

 

 

1. A precursor: the often repeated and often obvious dictum from authors: if one could summarize the idea or express the idea elsewhere, it would not be a book.

2. Another precursor: I have to use numbers for this review. The accumulative force in The Marbled Swarm has made me nervous to write about it. These numbers should help. Related: numbers are very rarely used in the book; we are maybe twice given them as markers, as soft attempts at erasure, but more so as another meter to remember. I understand the absence of counting in the book.

3. Formal book reviews mostly feel homogenous to me; some young limping component of an old structure; sutured to print? The format seems off, or rather: very rarely off. I’m pretty often baffled, too, by the claim that some argument must be lodged and pushed through to agree a reader; maybe I discredit the militaristic form of rhetoric, or of establishing a reading. To me, the reviews, the books too, that are interesting and alive feeling do not seem camped or aimed, yet open and transfixed.

4. I read The Marbled Swarm for the first time on a plane. Enclosed by a tube, moving very fast through different pressured air, hoping for a smooth passage. Fantasizing about puncture. READ MORE >

13 Comments
September 30th, 2011 / 8:00 am