“The entire system of the novel in the last century, with its cumbersome machinery of continuity, linear chronology, causality, noncontradiction, was actually a last-ditch attempt to forget the disintegrated state we were left in when God withdrew from our souls, an attempt at least to keep up appearances by replacing the incomprehensible explosion of atoms, of black holes and impasses, with a reassuring, clear, unequivocal constellation woven so closely that we’d no longer hear death howling between the stitches, amidst broken threads hastily reknotted. No objection to this grandiose, unnatural project? . . . No objection, really?”

Alain Robbe-Grillet, from Ghosts in the Mirror

Celestial Navigations

Man, I want this. Available now from the Numero Group:

Tens of millions of people have seen these films. Nobody knows who made them.

Curled up on our couches in the wee hours of the morning, in reruns, and nostalgic You Tube forwards, filmmaker Al Jarnow has touched our lives and changed the way we look at the world without us ever knowing. Beginning with his work for a certain public television show that featured a big yellow bird, Al Jarnow captured life’s scientific minutia and boiled it down for easy consumption between cookie eating monsters and counting vampires. Coupling time-lapse, stop motion, and cel animation with simple objects found in every day life, Jarnow deconstructed the world for an entire generation.

From the third floor of his Long Island gingerbread home, his mind wandered beyond the confines of educational programming. Delving into New York’s avant-garde film scene alongside Harry Smith, Jonas Mekas and Stan Brakhage, Jarnow created a body of awe-inspiring films that remain in the collections of MOMA and Pompideau Center.

Employing the archival skills honed during the excavation of over 40 full-length albums, Celestial Navigations marks The Numero Group’s first foray into the world of cinema. The 45 films collected have been transferred and color corrected from the original 16mm prints, along with fully remastered sound. Special features include a 30-minute documentary on Jarnow’s creative process, as well as film playlists designed for both children and adults alike. The deluxe package includes a 60-page book loaded to the gills with essays, ephemera, storyboards, photos, and a complete film index, all housed in the iconic Numero slipcase.

Film / 6 Comments
May 16th, 2010 / 1:28 pm

I know we already linked to it, but Mark Baumer’s walk-across-America trekblog is awesome.

THE VISIBLE THE UNTRUE (to E.O.) – an unfinished poem by HART CRANE

Yes, I being

the terrible puppet of my dreams, shall

lavish this on you–

the dense mine of the orchid, split in two.

And the fingernails that cinch such

environs?

And what about the staunch neighbor tabulations

with all their zest and doom?

.

I’m wearing badges

that cancel all your kindness. Forthright

I watch the silver Zeppelin

destroy the sky. To

stir your confidence?

To rouse what sanctions–? toothaches?

.

The silver strophe . . . the canto

bright with myth . . . Such

distances leap landward without

evil smile. And, as for me . . .

.

The window weight throbs in its blind

partition. To extinguish what I have of faith.

Yes, light. And it is always

always, always the eternal rainbow

And it is always the day, the farewell day unkind.

+

from The Complete Poems of Hart Crane, centennial edition, ed. Marc Simon, introduced by Harold Bloom. New Yorkers, you can have one for seven dollars at The Strand.

Author Spotlight / 14 Comments
May 15th, 2010 / 1:31 pm

How to Kill a Character

This is how the great Patrik Ourednik kills a character. Let it be a lesson to one and all:

Naiman died as stupidly as he lived. One day he decided to get a new washing machine for the cottage. But what to do with the old one? He loaded it into his car, drove into the forest, and rolled the machine to the top of the hill, intending to push it into a gorge; one garbage dump more or less, the Czech woods had survived worse. But no matter how hard he leaned into the thing, it wouldn’t budge, so, taking a few steps back, he sprinted forward, spinning around and throwing his haunches into it; the washer sailed into the gorge and Naiman along with it. Some nosy hiker discovered the body five days later, and the South Bohemian Tribune ran a brief obituary headlined “Expert Meets Tragic Death.”

Dyk gave a creaky laugh. Memories are the balm of old age.

Craft Notes & Power Quote / 6 Comments
May 15th, 2010 / 11:19 am

The Moby Awards (Best Book Trailer) finalists are announced. Good on the lot of you! (Happy to see Kathryn Regina’s I’m In The Air Right Now on the list, as I suggested it. Happy to see the others, too. Also, though, self-attentive.)

Wi-fithering Heights

What the hell, is that a laptop by Emily Bronte (d. 1848)? I assumed it was photo-shopped, but upon searching online, every version I found (from reliable non-satirical websites) shows the same laptop. It also looks like she’s fingering (probably should’ve used another word) her phone.

READ MORE >

Author Spotlight / 27 Comments
May 14th, 2010 / 5:55 pm

Chapbook City

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Behind the Scenes / 40 Comments
May 14th, 2010 / 3:42 pm

Fuck Friday, It’s Books, Get, um…

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Roundup / 18 Comments
May 14th, 2010 / 3:10 pm

Some Stuff

Semester is finally over and now I feel like I have so much to tell you about…

Jessica Smith is compiling “An evolving, informal and incomplete list of contemporary female poets writing in (or translated to) English”

David Shields has an interesting interview at 3QD, in which he offers “A Very Partial Reading List” of his 120 favorite books ever written

Fukuyama reviews Julian Young’s biography of Nietzsche

Thalia Field has a new book out, which she co-wrote with Abigail Lang, called A Prank of Georges

U of Georgia Press is holding their annual Flannery O’Connor Award for Short Fiction

MLP has announced that anyone who pre-orders Sasha Fletcher’s WHEN ALL OUR DAYS ARE NUMBERED before June 1st will receive a free copy of a companion chapbook called THE WORLD CHANGES AS IT WRAPS AROUND YOU.

Larry Fondation reviews Vanessa Place’s La Medusa

Bradley Sands has a new book out called My Heart Said No, But the Camera Crew Said Yes!

Oh, and here is David Lynch’s short film “The Alphabet” (1968)

httpv://www.youtube.com/watch?v=jmMwKBMse_w&feature=player_embedded

Roundup / 14 Comments
May 14th, 2010 / 1:55 pm