First Sentences or Paragraphs #3: Philip Roth Edition
[series note: This post is the third of five, in a week-long series examining first sentences or paragraphs. It's not my intention to be prescriptive about what kinds of first sentences writers ought to be writing. Instead, I hope to simply take a look at five sets of first sentences for the purpose of thinking about how they introduce the reader to the story or novel to which they belong. I plan to post them without commentary, as one might post a photograph or painting, and open up the comment threads to your observations as readers. Some questions that interest me and might interest you include: 1. How is the first sentence (or paragraph -- I'll include some of those, too, since some first sentences require the next few sentences to even be available for this kind of analysis) interesting or not interesting on grounds of language? 2. Does the first sentence introduce any particular (or general feeling of) trouble or conflict or dissonance or tension into the story that makes the reader want to keep reading? 3. Does the first sentence do anything to immerse the reader in the donnee, the ground rules, the world of the story, those orienting questions such as who speaks, when and where are we in space and time, etc.? 4. Since the first sentence, in the wild, doesn't exist in the contextless manner in which I've presented these, in what kinds of ways does examining them like this create false ideas about the uses and functions of first sentences? What kinds of things ought first sentences be doing? What kinds of things do first sentences not do often enough? (It seems likely to me that you will have competing ideas about first sentences. Please offer them here. Every idea or observation gets our good attention.) The sentence/paragraph sets we've been or will be observing: 1. first sentences from Mary Miller's Big World; 2. first sentences from physically large novels; 3. the first sentences from every book written by Philip Roth; 4. first sentences from the Norton Anthology of Short Fiction; 5. first sentences from Best European Fiction 2010.]

The first time I saw Brenda she asked me to hold her glasses.
- Goodbye, Columbus
Dear Gabe, The drugs help me bend my fingers around a pen. READ MORE >
Dept. of Arbitraryish Statistics: Three Variations on Three-Act Structure Edition
Coetzee, J.M. Disgrace. New York: Viking, 1999.
Acts: 3.
Chapters: 24.
Chapters per Act: 8.
Pages per Chapter: 8-10. READ MORE >
Variations on Hating Part 2! The Young Philip Roth Rebels
I had- and still have, but that’s another post- a huge crush on Philip Roth. Look how hot he was. In an earlier brief post (click here), I touched on a certain artist’s need to embarrass herself. I often feel the same. I think Roth did, too. Perhaps it’s a youthful impulse. Regardless, I believe Roth has three masterpieces (One which is actually four books): Zuckerman Bound (which consists of The Ghost Writer, Zuckerman Unbound, The Anatomy Lesson and The Prague Orgy ), Sabbath’s Theater and American Pastoral. (Oh, And possibly The Counterlife goes in there too.) READ MORE >
The ecstasy of a faint outdoor wind: A photo essay by Philip Roth

Hi, I’m Philip Roth, the author American Pastoral and other books without so much foliage. I love the smell of fresh cut grass and foreskin. But hey, enough with the Jewish jokes. Whenever the camera crew comes to do a profile on me, I say “Hey, I have an idea — it would be nice if we went outside.”
I’m thinking. I’m thinking about America and the plight of the ‘other.’ I’m thinking about a waspy girl I once wanted to make love to. I’m thinking of that protestant ass. I’m thinking of my shopping list: eggs, broccoli, extra virgin olive oil, national book award, toilet paper. God I love being outside at or around dusk.
Viewer Mail!

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Hello Justin Taylor,
-Mark Baumer
–
www.thievesjargon.com
www.everydayyeah.com

Gee, that was random.
********BONUS********* JUSTIN TAYLOR REPLIES:
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Hi, Mark, thanks for writing. I don’t really know what to make of your letter. To be honest, it doesn’t seem like it should have been addressed to me. It’s not exactly about any of the things I wrote about in my recent blog post, which itself was rather explicit about being somewhat predicated by, but hardly “about,” Matt DiGangi and Thieves Jargon–two entities about which I know very little, and not for lack of opportunity either.
I’m sorry that Matt has to edit boring textbooks. We must, all of us, do something. For example, I have to think of lesson plans and commute to New Jersey twice a week to teach my class, and then I have to grade my students’ papers. Let me tell you, brother, it’s no walk in the park, although I do get to walk through campus, which has many park-like qualities. Also, sometimes the students write things that are very funny. Typically, they have not done so on purpose.
Speaking of which, I have no idea what “when the internet was still good” means, but then I’m not the one who said it. Since you’re the one who said it, it is discomforting to know that you don’t know what it means either. Do you often make declarations incomprehensible even to yourself and then send them off in personal letters to strangers?
Personally, I think shoelaces both got really lame in the mid-90s, but they seem to have really re-emerged during the last year or two, totally transformed and ready to assert their relevance–even necessity, perhaps–to the culture. I can’t wait to see what happens with shoelaces next.
In closing, I wish that I could promise to keep your secret about the simplicity of your cake recipe from Jimmy, but the fact of the matter is that I’m almost certainly going to post your letter and my response (that is, this letter which I’m writing right now) on HTMLGiant later this afternoon, or possibly even this morning, so I guess he’ll probably learn the truth that way.
JT
************DOUBLE YOUR BONUS*********

M. BAUMER REPLIES TO THE REPLY:
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| date | Thu, Dec 4, 2008 at 12:52 PM |
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| subject | Re: a note from thieves jargon |
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| mailed-by | gmail.com |
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Hey Justin,
I give you permission to post my email without my permission.
Please include this:
I also want to say something about BB that makes fun of the way he gets off or something, but I am not very good at shit talking.
Justin, I think you want me to kill myself. ‘Shoelaces’ was my self-termination code word when I was created as a sad pot of soup on the back left burner. Then some family ate me.
I honestly think lots of people would consider being gay with BB’s blogspot account. I guess this is a compliment. Sometimes I worry about saying anything bad about BB and any other expert bloggers because in the back of my head I think, “If they kill themselves someone in the future will read this comment of me calling them a ‘shitfuck’ and then they’ll google my name and find my address and come to my house via google maps and dump un-erasable spam on my front lawn and my wife will say, ‘how could you say that?’ and then stop talking to me over gchat and i’ll marriage will be over.”
Oh well.
To Blake
“You’re a shitfuck. Don’t kill yourself.”

Are we having a feud now? About what?








