July 2009

Matt Bell, Matthew Derby & the Best of the Web

Did everyone else already know that Matt Bell is going to be the series editor for Dzanc’s Best of the Web series, beginning with the 2010 book? I didn’t, but aren’t I glad to know it now? Yes. Anyway, I learned this information in a note Matt posted to facebook about also-Matt Matthew Derby, whose story “January in December” from Guernica will be anthologized in BotW2009, edited by Lee K. Abbott. (Disclosure/chest-beating: I am a proud alum of the BotW series; my story “The Jealousy of Angels” appeared in the 2008 edition, which was edited by Steve Almond.) After the jump, MB’s full facebook post: his explanation of what BotW is, his introduction of Derby, and then a long guest-post by Derby himself about the writing of “January in December.”

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Author News & Author Spotlight & Presses & Web Hype / 4 Comments
July 21st, 2009 / 8:35 am

Hey, melt your brain! Why not?

Musician Jay-Z’s DECODED, in which he will “decode all the lyrics from my records; I’m going to pick the select ones and reveal the double entendres that people may have missed or may have got and want confirmation on it,” to Chris Jackson at Spiegel & Grau, by Matthew Guma at Guma Agency.

(h/t to Kate Ankofski, who had this posted as her gchat status message)

Even though I think most ‘canon’ talk is just another popularity contest — I would not include a book in any ‘canon’ unless it has huge cultural impact, and longevity of 500 years or so, and, um, that leaves what?  foundational Judeo-Christian texts?  other similar religious monomyths?  what else?  Seriously.  — the book-centered site The Second Pass has listed books they would nominate to nix from the Western Canon — wait, just the definition of the word ‘canon’ alone makes me gag a little: since when are writers supposed to respect any sort of institution/law/principle, and can we really say definitively that another artist’s work is ‘authentic’ outside the catharsis the artist achieved in his/her bedroom/prison cell/cabin while they’re creating?  I guess the calling-into-question of what makes something ‘authentic’ is another discussion.  Maybe it’s only ‘quality’ being talked about, and then doesn’t that just revert back to the culture-boom/500yr thing anyway?  Ddddoinkyff.

Attila Bartis in conversation with Brian Evenson

I read Attila Bartis’s Tranquility last month on very high recommendations. It is really something. It sticks. Archipelago Books is doing something really exciting, and making beautiful book objects in the process.

Here, to whet your palate on the Bartis, is a reading and interview from the author, with Brian Evenson joining in.

You can buy Tranquility direct from Archipelago.

Author Spotlight & Presses / 4 Comments
July 20th, 2009 / 10:39 pm

Madlib

With apologies to Madlib, for Mister Simmons’s previous (though the DOOM remix is quite nice): anyone in the arts could learn something from this man: his ethic, his ingenuity, his drive, his many hands, his flavor, … … … this dude is something else.

And Madlib messes w/ a beat:

Random / 6 Comments
July 20th, 2009 / 6:07 pm

My dear friend Brad, one of the best-read and brightest autodidacts I know, reads Burroughs’ Queer and wonders if maybe he would have developed an appreciation for it earlier if he had been introduced to it in a classroom. Bonus: Four Tet managed a Madvillian remix that is as good as the original. I know. Hard to believe. Forgive me Madlib.

The 8th issue of Sleepingfish, coedited by Derek White and guest Gary Lutz, is now open for electronic submissions.

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Cool idea here: Flatmancrooked’s LAUNCH program. Interested to see how this goes down. Emma Straub is nice.

I like when rappers rhyme one phrase with the same phrase. Like Jeezy says, “I commentate the game like John Madden / Cause I played in the game like John Madden.” For sure. What’s your favorite forced rhyme?

Fun at the bookstore

I was hanging out at a book store (had 4 hours to kill, girlfriend induced) and started noticing a lot of similarities and relationships between the book covers, so with a little (just a little) manual intervention, captured some moments I’d like to share.

DSCN0454

Most of Murakami’s book covers feature some 50s-type Japanese lady, especially her eyes. I’m sure the art directors at Vintage are aware of this — just not so sure if it’s some default passive motif or if there’s a broader concept to this. True, women are an evocative concept in his books, but I don’t think so much to warrant almost every cover.

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Uncategorized / 26 Comments
July 20th, 2009 / 2:14 pm