September 2010

David Foster Wallace’s The Pale King 4/15/11

Wallace’s unfinished novel The Pale King gets a cover and a release date: April 15, 2011. [via NY Times]

Author News / 41 Comments
September 14th, 2010 / 7:28 pm

Moby Lives seems to agree with Criswell.

I Like What The Hell Is Going On Over Here

Mark Newgarden (Click through for to make bigger)

Jean-Luc Godard just might accept//that fucking Oscar//after all.

You need to go outside, says Lapham’s — they says a lot of good things to say.

Reading back issues of the NY Times, found this great little Glenn gem.

Who doesn’t believe in intellectual property? Jean-Luc Godard.

Roundup / 63 Comments
September 14th, 2010 / 3:36 pm

Bataille’s Lone TV Interview: On Lit & Evil (1958)

Uncategorized / 73 Comments
September 14th, 2010 / 2:05 pm

David Foster Wallace Archives

The Wallace archives open today at the Ransom Center at the University of Texas at Austin. Included are more than 100 books he owned, often annotated, and other papers, such as this handwritten draft of the first page of Infinite Jest:

I still feel slightly conflicted over the whole nature of archives, and particularly certain natures of ones, but regardless, there probably haven’t been many days in the last eight to ten years that Wallace hasn’t somehow crossed my mind. Today should be no exception.

Behind the Scenes / 31 Comments
September 14th, 2010 / 11:42 am

Alumni Night at the Roundup

My old New School buddy, Melissa Petro, has an op-ed up at the Huffington Post about the closing of the Craigslist adult services section- Thoughts from a Former Craigslist Sex Worker. Also, you might remember Melissa’s previous piece about sex work, “Not Safe For Work,” which appeared on The Rumpus.

One of the classes Melissa and I took together at New School was a seminar on the 20th century novel, taught by Dale Peck. Dale is 1/5 of a new publishing collective called Mischief & Mayhem, whose site went live just today. From their hot, fresh statement of purpose:

The collective came together in response to the increasingly homogenized books that corporate publishers and chain retailers have determined will sell the most copies. We recognize that there are readers who want to be challenged instead of placated.

The other four M&M-ers, by the way, are Lisa Dierbeck, Joshua Furst, DW Gibson and Choire Sicha. The collective seems to have a raft of events and projects planned, and will bring books into the world as an imprint of O/R Books, publisher of the Collected Fictions of Gordon Lish (see our sidebar ad) and Eileen Myles’s Inferno: A Poet’s Novel.

Another school-friend of mine, our own Amy McDaniel, has a fantastic essay in the new issue of Tin House. The theme of the issue is “Class in America” and it’s a doozy from start to finish–there are stories by Benjamin Percy and Charles Baxter, an excerpt from Lydia Davis’s new translation of Madame Bovary, poems by Major Jackson and Sarah Gambito, an interview with Luc Sante, A.N. Devers visits Poe’s house(s), and a whole lot more. I am enjoying this thoroughly & recommend it heartily.

And finally, there’s a new installment of Poets off Poetry, a series edited by Jackie Clark and published on Coldfront, which is run by Graeme Bezansen, John Deming & Melinda Wilson–New Schoolers all. In this POP-isode, Mathias Svalina (who did not go to NS, but looooves someone who did) writes about the time he listened to Side A of David Bowie’s Hunky Dory for a week straight.

Roundup / 8 Comments
September 14th, 2010 / 10:07 am

avant-gagarde

Camille Paglia says:

Gaga is in way over her head with her avant-garde pretensions… She wants to have it both ways – to be hip and avant-garde and yet popular and universal, a practitioner of gung-ho “show biz”.

If avant-garde is advanced guard, or vanguard, is Lady Gaga indeed avant-garde?

Power Quote / 339 Comments
September 13th, 2010 / 6:57 pm

Mooney, (it dissolved into the salt), freed.

We are all of the same tribe. We all wear the same markings. The book is, in one way, a family portrait: a portrait of our tribe. There are obviously many people missing from this portrait, but that makes sense to me. Someone is always missing. –Blake B. interviews Chris Higgs at Bookslut, and says this: ‘The Complete Works of Marvin K. Mooney seems to me unprecedented via form, making new ways of both telling a story and relaying information, but also doing so in a way that is, as David Foster Wallace so expressly begged for: fun.’

If you’re on Goodreads, you can win Mooney with one click.

And the Marvin K. Mooney Society is redesigned and alive. Buy the book in September and you’ll get a book from Mooney’s library.

Author Spotlight / 13 Comments
September 13th, 2010 / 4:04 pm

“At age eleven, McGraw discovered his birth certificate while searching his mother’s closet to find pictures for a school project.”

All history is alternative history. But some history is more alternative than others. But some history is altercation with Others. What I really mean to say is every history has little moments that are suggestions into other stories for purposes of maximizing the story’s use of your storymaking brain. Things that “make the world” of the story “come alive.” Another way of thinking about this is that analogies often ask us to imagine some crazy shit. But only for as long as it takes to make the analogy work. For example, I’ve heard the chemical effect of coffee on the brain described as putting a brick under your brake pedal. “Okay, check.” We use our imagination to produce a feeling or an understanding (every image is its own feeling), and then we put that feeling/understanding in a suitcase and take it back to our original parameters. “Oh, coffee! So that’s how coffee works on the brain, okay.” Meanwhile, we’ve discarded the continuation of a very interesting (maybe?) story in its own right: driving around with a brick under your brake pedal. READ MORE >

Craft Notes / 22 Comments
September 13th, 2010 / 3:59 pm

Have you ever kissed another writer’s ass or falsely bestowed praise in hopes of getting something in return or making friends? Did it work? Did it make you happy? Feel free to respond anonymously.