ToBS R2: ‘everybody has a story’ vs. following several thousand people on twitter
[Matchup #37 in Tournament of Bookshit]
‘everybody has a story’
Right off I’ll bypass the obvious sphincter analogy here and instead say: I’m willing to embrace this everybody-has-a-story-notion as a hypothetical. At an abstract level, it speaks to the unlimited potential for human creativity, the idea that if we turn inward long enough and well enough we can eventually locate and activate that nascent Shakespeare hidden in all of us. Okay, pretty trippy, but sure. It all reminds me of that psychedelic scene from the gnostic gospel of St. Thomas when Jesus turns to his disciples and says: “If you bring forth what is within you, what you bring forth will save you. If you do not bring forth what is within you, what you do not bring forth will destroy you.” Of course it’s not the easiest of orders if what you’re attempting to bring forth is serious literature or great art. With stakes like that suddenly self-destruction seems not only possible, but plausible, maybe even inevitable. This, I suppose, is why it seems like so many of our best scribes are bad livers with bad livers. In saecula saeculorum. READ MORE >
THE ZERO-DEGREE NOISELESSNESS OF DEATH: LECTIO IX-XII
Systemic limits to growth require that the inevitable recommencement of the solar trajectory scorches jagged perforations through such civilisations. The resultant ruptures cannot be securely assimilated to a metasocial homeostatic mechanism, because they have an immoderate, epidemic tendency. Bataille writes of ‘the virulence of death’. Expenditure is irreducibly ruinous because it is not merely useless but also contagious. Nothing is more infectious than the passion for collapse.
-Nick Land, “After the Law”
LECTIO IX: Beyond Novelty, Into The Uncanny
LECTIO X: Shame and the Texture of the Flesh
LECTIO XI: Artaud as Arrogance Without Ego
LECTIO XII: When Nothing is Real
Top 50 Black Metal Albums of 2011
A lot of people—or, in truth, absolutely no people—have been asking me what my Top 50 Black Metal Albums of 2011 are.
So, here they are. I love all 50 equally, and do not have them numbered. If you can think of any that deserve honorable mention, anything I have forgotten, leave the name in the comments section and I will maybe tell you why I didn’t include them, or apologize because I should’ve included them.
Verg by Necrolocust
Vreg by Locustcorpse
Turgal by Trugla
Groluck by Stunefier READ MORE >
ToBS R2: Calling yourself the editor-in-chief of an online journal vs. bowties
[Matchup #36 in Tournament of Bookshit]
I know what you’re thinking: clearly the answer is “Having an opinion about MFA rankings.”
But we have to work with what’s given us which means other possible solutions (“Garamond,” and “Fetishizing experimentation while hating on those who fetishize narrative” among them) are left unavailable as is information seemingly vital to out trial. Do these online literary journals actually have sub-editors? Are these bowties pre-tied? Is this a wedding? If the editor-and-chief marries a sub-editor does the sub-editor move up in rank? Does the rank require a uniform? Does the uniform require a bowtie?
Clearly the answer is “Writing a Story That Uses the Word Pus.” READ MORE >
ToBS R2: [yourauthorname].com vs. working at Best Buy
[Matchup #35 in Tournament of Bookshit]
adamrobinson.com redirects to some Sarasota Real Estate company. That’s stupid. adamrobinson.org is “The Truth,” a Christian dude’s fervent website. He was married in November. Congratulations to you both! adamrobinson.blogspot.combelongs to a bass player who hasn’t updated since 2004. So basically [yourauthorname.com] sucks for my fellow Adam Robinsons. Except for maybe the preacher and his Dreamweaving and his wife/husband and his devotional books which are available at bulk pricing in case you’re interested. But enough about myauthorname.com — how’re things for yours? I do appreciate being able to go to one site and seeing all of your publications listed, for when I’m bored and hiding out in the bathroom at my job working at Best Buy, crying and scrolling through your mobile site on my Samsung Vibrant S2, reading your sweet poems on the toilet with my pants up. Plus that blue shirt matches my eyes and I happen to know a lot about RAM anyway, and sound cards (SOUND CARDS!!! People upgrade your SOUND CARDS!!!), and how Dell’s GX270 desktop form factor has a known issue with the nodes leaking on the motherboard so, sorry mister, you’ll probably need to buy a whole new machine if you’re going to finish that manuscript which I hope you saved to one of our external harddrives. But in this challonge I need to hearken to the best authorname.com case study, which was aboutjatyler.com, made famous by those early Stamp Stories. I mean, damn, that’s how you get your name out there, on the backs of little slips of paper.
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BOOKS + BEER: Dune and Budweiser
Why? Because a student handed me the book and suggested I read it? No. Students routinely want me to read books and they are usually this one, or Neil Gaiman and I’m not reading any fucking Neil Gaiman. I’m an adult. I read it because so many of my students are writing Sci Fi lately. From a genre trickle to categorical gusher. Could be my doing this semester. I instructed them to write a QUEST. I think some of their brains went quest=genre, though I showed them many, many quests that were just like two dudes trying to get to Hollywood or the latest Jennifer Aniston Must-Get-A-Man flick or just some guy swimming away into cognitive dissonance or a newlywed couple needing to rob McDonald’s but no/no/no they go genre, fantasy or Sci Fi. That’s OK. I mean we had no zombies. (Best zombie film to show students about genre irrelevant—characters matter.) I could be like some in academia (and literary publishing) and say no to genre. OR…I could admit many literary works are indeed gestures of genre…OR I could/should meet the students half way and feel a need to increase my knowledge base on Sci Fi, admit I haven’t read Sci Fi in many years (is Vonnegut Sci Fi?) and so feel a pedagogical necessity to read something and Dune is on all the lists and I know Sting is in the movie version (though I’ve never seen it and have no plans to) and so here we go into the box, the hour glass, the sand.
Three things we know: 1. You can show all the patriotic commercials in the world, but Anheuser Busch is still a company owned by Belgium. 2. Women die when they get near August Anheuser Busch IV. 3. Budweiser is Ok to drink. Not great. Not absolutely bad. (Fuck off, beer snobs, we know how much you blar this beer and, honestly, it’s a little ridiculous.) But OK, an OK beer, in certain situations…
Adam Robinson—
“The law has long been clear that stores do not invite the public in for all purposes. A retailer is not expected to serve as a warming station for the homeless or a site for band practice. So it’s worth wondering whether it’s lawful for Amazon to encourage people to enter a store for the purpose of gathering pricing information for Amazon and buying from the Internet giant, rather than the retailer. Lawful or not, it’s an example of Amazon’s bare-knuckles approach.”
-And with this quote from a NYTimes article, Scott Turow is finally tagged at HTMLGiant.
Other People: An Interview with Brad Listi
Other People with Brad Listi is a twice-weekly author interview show with a unique literary emphasis. Rather than focusing on their books, Listi asks his writer guests to open up about their lives as writers, what’s driving them, how they work, their personal philosophies and their opinions of other writers’ books. Sometimes an episode seems to be about everything except the subject’s latest book. Whatever they talk about, the shows—which typically clock in at just over an hour—are almost always filled with interesting conversation, and Listi has, in just a few months, had a lot of terrific guests, including Blake Butler, Steve Almond, Victoria Patterson, Joshua Mohr, and Dennis Cooper.
Hearing it for the first time, one wonders why it took so long for this podcast to arrive. The thread that runs through every show is Listi himself: intelligent, self-conscious and completely open about his own idiosyncratic approach to life as a writer and reader. In addition to posting two new episodes of Other People each week and serving as editor at his online culture magazine, The Nervous Breakdown, Listi works as a novelist. His first novel, Attention. Deficit. Disorder. was released in 2007. READ MORE >