Adam Robinson
http://www.publishinggenius.com
Adam Robinson lives in Baltimore, where he operates Publishing Genius Press. His book of poems, Adam Robison and other poems, will be published by Narrow House Books this year.
http://www.publishinggenius.com
Adam Robinson lives in Baltimore, where he operates Publishing Genius Press. His book of poems, Adam Robison and other poems, will be published by Narrow House Books this year.
I’m a big fan of anything that has to do with publishing but ISN’T publishing (like Submittable and Vouched), so naturally I was intrigued by Bkclb, a new and Australian eBook seller that’s geared directly toward indie lit. I started using them for PGP books and I really like everything about it. Shit don’t cost too much. They got the new Lifted Brow and some Dzanc Books and this Sententia book that’s all the rage.
I asked Connor Tomas O’Brien, who runs the show over there, a bunch of questions a while ago (see below) and now Bkclb is coming out of Beta, so to celebrate checkitout: go here, enter “HTMLGiantSux” and you can get the eBook of Timothy Willis Sanders’s excellent Orange Juice for free. Try it out, see what you think, say what you think in the comment box below, provided by Disqus, here’s the what why when who how: READ MORE >
Introducing Colin Winnette’s new book, Animal Collection, available from Spork Books. Look at that letterpressed hardcover, wouldja? The first sentence is “It’s in your best interests to take the beaver’s calls.” You can read an excerpt here or catch Colin on tour and buy one to his face.
Alternatively, “Who Could Win a Rabbit?“
R.M. O’Brien and Lesser Gonzalez-Alvarez are two wicked awesome Baltimore multidisciplinary artists who recently collaborated on a quiet, handsome little book of poems called Birds Blur Together (buy it for $6 here). Look at that cover—tell me it doesn’t look like something missionaries would hand out in South America? R.M., who runs the great reading series WORMS, put the 25-poem book out on his own WORMS PRESS because he can do whatever the fuck he wants to do. Like, just check out this video of his old band Nuclear Power Pants. Bob gots the beard and the stabby back. READ MORE >
Dark Sky founding editor announces their closing — very nicely done, too.
1. So how long did it take you to read the book?
I started it on Monday afternoon and read it for a couple hours a day, until 7:30am today.
2. Did you ever read the book in public places or leave the book out purposefully when visitors were over?
I’m on a camping trip with my family (two parents, two brothers, two sisters-in-law, two nieces, two nephews, two dogs), and I kept leaving it on the picnic table but no one touched it. It’s my dad’s book.
3. How did you deal with the uh not reading a better book?
The parts with the guns were my favorite.
4. Have you read other Lee Child? How did this book compare?
I thought I’d read all of them but my dad keeps surprising me with more. This one wasn’t as good. The odds don’t seem to be as stacked against Reacher. Plus it’s more of a detective story than the others. The women aren’t described as “slim” quite so often, and Reacher doesn’t have sex with any of them. The main lady he partners with is a lesbian.
5. Did you read the book while on drugs or alcohol?
Nope, just fresh Adirondack air.
6. What other “large books” have you undertaken?
I just finished the third book in The Game of Thrones. READ MORE >
Everything’s coming up Shane Jones. His new book, Daniel Fights a Hurricane, releases today from Penguin (check out Ellen Frances’s sweet trailer here), which means Shane is back in full swing on the internet. Awesome—it’s good to read his mind like this, enjoy his wit and ingenuity. Here is an homage to Faulkner at Tin House. At The Millions, an essay about why he writes. PLUS, Albany crowned him the best writer in all the city, so you know, he’s got that going for him, which is nice. I just got my new copy of NYLON, and they’ve reviewed the book; Jess Sauer calls it “a modern fable, and despite its apocalyptic overtones, Daniel’s delusions are more beautiful than grim.”
The most striking feature of the novel for me is how palpable the levels of reality are. Shane juggles all these layers of occurrence and perception in an unsettling way, but what makes him so good at it is 1) how funny he is, and 2) how effectively he times the switches, brings in the actuality, gives hints about what’s what. The book is like a snowflake: no two readings will ever be alike.
How do you like being Best Writer in Albany?
The local arts paper here does that every year – a best of thing. I think local businesses really try and get like “Best Place for Dinner” because it translates into people eating at their place. But Best Writer? Meh. I don’t know if anyone really cares. I joked to a friend of mine that I was going on a “best of” tour in Albany but he didn’t think it was too funny. It’s tough being the best.
So, what’s Daniel’s problem?
That’s a good question. I don’t know. He fits into the world and he also doesn’t fit into the world. My biggest fear is that people will read his character as just “some insane guy” and won’t see any of the beauty, sadness, depth, of his character and world. Daniel’s biggest problem will probably be certain readers.
So—Daniel Fights a Hurricane—weird book, huh? I think once again you’ve created something that does things with story that people don’t expect. How do you describe it to smart people who maybe don’t read a lot?
I’ve said before how hard it is to describe my own book. Do you have this problem? You’re really handsome, so people probably just buy your book immediately. I have a fantasy where I just scream into someone’s face “JUST READ THE FUCKING BOOK!” and they’re like, “Oh wow, yeah, I’ll go and read it right now.” I guess it is a weird book? It mixes reality and imagination and overlaps them and weaves them together and stuff like that. It’s like mixing a bunch of colors of paint in one can and seeing what’s going to happen. READ MORE >
Partyknife, by Dan Magers, was published by Birds, LLC in June. It’s an irresistible collection of poetry, remarkably NOW—remarkably of the moment—while also markedly aware of what poetry is and has been and will be.
The book is set up like a record, with a Side A and Side B. It’s even shaped and designed like a 7″. While the 70 poems inside are mostly short, they read continuously, cohesively, with a seamless logic to them. Magers’ subjects are the sort of things you’d find in the room of the coolest guy in your dorm: like, you know, metal bands and video games and pot and amps and a sexy grime.
Here’s how Blake described it at Vice, which nails it:
at first it seems you’re being spoken to in party conversation talk, then it seems maybe like you’re on Twitter, then suddenly you’re digging through one of Wittgenstein’s notebooks, then you’re reading a letter from someone you used to know.
In that way, it’s a very familiar and welcoming book. So Dan’s a good guy to talk about poetry’s situation, which we do in the following interview.
(This is my first post here in a while, ugh, and it’s lame that it’s about PGP, but dang I’m all wound up in excitement for this, so why not, and plus it’s a good deal.)
To celebrate The June Issue, Everyday Genius’s first ever print issue, I’m giving a prize to three people who order it before Friday, June 1 (previous orders are being entered to win as well). The prize is a PGP care package, which includes recent books Falcons on the Floor by Justin Sirois (review at The L Mag), Meat Heart by Melissa Broder (review at The Rumpus), Rachel B. Glaser’s Pee On Water (just reviewed brilliantly at The Nervous Breakdown). ALSO included will be Joe Hall’s Post Nativity and Stephanie Barber’s book/DVD these here separated. ALSO also included, Joseph Young’s Easter Rabbit and David NeSmith’s El Greed. Finally ALSO also also included, a PGP tote and a PGP koozy cuz why not cuz it’s summer. READ MORE >
The 2012 Chapbook Festival starts tomorrow. I call it “the good AWP.” In preparation, this year I’ve asked Sampson Starkweather, 1/5th of the Birds, LLC braintrust and chapbook enthusiast, some questions about the form. Go get a blanket–he links up some great stuff that is way worth the read.
Hey Sampson, what’s the deal with chapbooks?
Funny, that’s how I start all my stand-up comedy gigs. It kills of course. So I wanted to start with a quote from James Haug’s Why I Like Chapbooks (Factory Hollow, 2011), who waxes lyrical “Chapbooks are stealth books./ They can slip under a door./ They don’t impose. They suggest./ They’re not one thing or another. They don’t take much time. They’re sly and easy to ignore. They imply, insinuate, inquire./ They don’t expect an answer./ They have a long history; they have no history.” READ MORE >