The Marbled Swarm swarms now
Today is the release of Dennis Cooper’s latest, The Marbled Swarm, and it’s truly something else, even for someone you expect to knock your head off every time.
I reviewed it here for Fanzine; Ken reviewed it here on HTML.
You can buy it now.
R.I.P. Jiří Gruša
He passed away today, in Germany. He was 72. I don’t know much about him. But I really enjoyed his novel The Questionnaire; Dalkey reprinted an English translation of it in 2000 and I read it upon arriving at ISU:
Originally circulated in Czechoslovakia in an underground edition of nineteen typewritten copies (which landed the author in jail for “initiating disorder”), The Questionnaire is Jirí Grusa’s internationally acclaimed masterpiece.
In completing a standard employment questionnaire, narrator Jan Kepka manages to write a beautifully impressionistic history of his life, his family, and his hometown as he obeys—with mock solemnity—the handwritten command on top of the form: “DO NOT CROSS OUT.”
Here’s a link to it at Google Books. And here’s an interview with him, conducted by my friend and former Dalkey workmate Ana Lucic. In that interview, Gruša mentions some of his other books, and that he planned to write a few more. I don’t know if he ever did. The other books, to my knowledge, haven’t been translated. But The Questionnaire, that’s a good one.
Godspeed, you Czech Emperor.
Some of you know Innocente Fontana, so I thought this might be of interest: I wrote a piece for the Paris Review‘s website about my relationship with him, who he really is, and his extraordinary novel that was just republished.
Tao Lin Tweets a Non-Meta Tweet
Earlier today, Tao Lin tweeted an entirely non-meta tweet.
in ~’93 in ~5th grade, i think, there was a ‘meme’ at my school of throwing things at (or ‘simply’ hitting) ppl then saying ‘ricochet’
Notice the lack of self reference or promotion, reference to the nature of said tweet, bracketed ambiguous/conceptual “thought[s],” esoteric ongoing commentary of [something] semi-contextualized via hashtag.
Last month, The New York Observer reported that, for his third novel, Lin was working in what he describes as “Lorrie Moore’s prose style and tone.”
This tweet seems to suggest that very notion. What I mean is, I could see a thought like this appearing in the inner monologue of a Lorrie Moore character, is what I mean. Or I guess even that it seems like something from Bed.
You guys got anything else to say?
Oil Changes to Garlic
Jono Tosch is a poet and artist who blogs at Oil Changes, a rolling document that knocks you over the head with its absurdist, agricultural, and poetic thought. Jono bangs a drum similar to what I imagine Thoreau would kick and scream like today were he to be wormholed from the past and into our era. And like Thoreau, Jono is a self reliant, rare to ask a hand for help unless it was of a total necessity.
But now, Jono is asking for help, help to fund a month of “agricultural research” on the famed garlic farm of Stanley Crawford, author of Log of the S.S. Unguentine. By helping him make his way from Massachusetts to New Mexico, Jono promises to trade ” top-notch road and farm content if you pony up some gas $$$.”
Big Ray by Michael Kimball
Congratulations to Michael Kimball, author of Us, Dear Everybody and The Way The Family Got Away, because this: “I’m having a pretty great year so far and I feel really grateful for it. I don’t even know how to explain how grateful I feel. I’m so happy to announce that I just sold the world rights to a new novel, BIG RAY. It’s the story of a son coming to terms with the sudden death of his obese father. It’s told through 500 brief entries, moving back and forth between past and present, the father’s death and his life, between an abusive childhood and adult understanding. BIG RAY went to Kathy Belden at Bloomsbury USA, which will publish in Fall 2012, and Michael Fishwick at Bloomsbury UK, which will publish in Winter 2013.”
Call Heather Christle at (413) 570-3077
On the occasion of the release of her second book of poems, The Trees The Trees, which just came out from Octopus, and is indeed mazelike, Heather Christle has secured a phone number that you can call her at, through which she will read to you a poem. This begins today and will continue through July 14th.
The number is (413) 570-3077
Calls answered during Eastern Standard Times:
M: 10am-6pm
T: 10am-1pm
W: 10am-6pm
Th: 10am-1pm
F: 10am-6pm
S: 12pm-6pm
Su: 12pm-6pm
Get the book while you’re at it; it’s unprecedented, and gorgeous.
J. A. Tyler, ZZZZZZZZZZZZ
Author J. A. Tyler has put together a neat thing, a story across five stories, across five publishers. He calls it “wreckage” and describes the story with his uniquely destructive voice:
ZZZZZZZZZZZZZ is wreckage. ZZZZZZZZZZZZZ takes place as five distinct works, all built around the same core story. Each narrative is that of a girl who holds the last water in the world, a herd of chaos that takes it from her, and the boy who comes to resuscitate it all. But each story takes this kernel and shreds it in a new direction, incorporates other elements, reshapes the narrative in its own image. And each press that came aboard this project, releasing this wreckage into readers’ hands, worked on the same principle of core unity with distinct press-specific alterations. All that is left is the beautiful static hum: zzzzzzzzzzzzz.
The publishers, linked here, are:
ZZZZZZZZZZZZZ [a well]: Greying Ghost
ZZZZZZZZZZZZZ [the stars]: Warm Milk Printing Press
ZZZZZZZZZZZZZ [this town]: The Collagist
ZZZZZZZZZZZZZ [an island]: NewLights Press
This week I received the installment from Aaron Cohick’s NewLights Press (home of the $400 Brian Evenson book), and it is an amazing artifact. It’s completely letterpressed inside and out, and sturdily constructed. It’s hefty. It’s probably about 30 pages, depending on how you count them.
You can see images of the NewLights book here.