Kim Kardashian & T.S. Eliot
I’m pissed! Kim Kardashian has just given birth, and well, this sucks. Sucks because this deprives us of a month full of pregnant Kim. A month full of big, beautiful Kim. A month full of tabloid shots in which Kim could grow into more astronomically and giddyingly, attractively large.
But, life goes on, as it must. (Sigh.) But I can yet glory in really big Kim! So, what follows are some cobbled together notes that I was working on but which kind of got lost in all my LeBron fantasias, among other things:
Standing in line to pay for our bananas and tick medication I notice that pregnant Kim Kardashian looks HUGE (unrealistically huge) on the cover of all the tabloid magazines. “They must be enhancing these,” I snicker to my wife as I rub anxiously at my neck. “O, no,” she replies, cocksure. “I bet she looks exactly like this.”
And I’m like “huh?” but realize, there and then in our honest, local Fred Meyer, that people aren’t making fun of or laughing at Kim’s exploding monster-physique they are, instead, idolizing it. READ MORE >
O, Lebron
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I know it hurts, dude, but let me tell you about this puffball sitting in white sunlight in the middle of nowhere. And I inject this puffball into your neck, balls and butt. And you fall on to your hands and knees. And you’re soft and suave as a Pomeranian barking up philosophies, experiences, Robert Hass’s silkiest poems (and I wish I’d rescued you from a fairy tale). And you don’t stop.
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I am, though, standing in front of the mirror. And I’m holding a bowling bowl. And I smash my face with it. . . And I am you, LeBron James (blah, blah). . . And I haven’t written a sonnet in a thousand years (blah, blah). . .Pigs are buried, dancing, in every second. . .Blood lashed on the hardwood. READ MORE >
What Famous People’s P$ss$$s Look Like
[ Just as Shakespeare jauntily lifted and displayed pieces from his great store load of words pertaining to and characterizing people’s privates (including “nothing,” a favorite among feminists!) I have decided to whip out here some closely guarded tidbits about famous people’s pussies. So, come on, slap your thighs, crunch peanuts in the pit, and gaze up, all forlorn, at the sultry clouds.
And, above all, enjoy. ]
A non-pregnant Kim Kardashian’s is a furry teacup pig on its day at the spa. Showing off its nails and gleaming skin. The clit’s a snout and it makes gorgeous and empty little squeals that no man can resist.
Paris Hilton’s is very much like a starved Flamingo curled up into a sad ball on the fringes of the high-acid waters of some South American crater lake. The sky’s filled with hotels and jails and at night the stars crowd in like ghoulish paparazzi. . . And the starved flamingo shivers like a scared Chihuahua that pees on Paris’s marble floors whenever it’s afraid or excited.
(Cormac McCarthy’s trying to work this dish into a new disaster novel). READ MORE >
Help Kenneth Goldsmith Print The Internet, or Petition to Prevent Him From Doing It
Conceptual provocateur Kenneth Goldsmith’s new project involves printing off the entire internet. You can follow his Tumblr about it. There you’ll see he’s getting a lot of press for this idea. Some of it positive, some of it negative.
Change.org is actively seeking to stop Goldsmith from going through with his proposition. They’ve started a petition, which you can read here.
If you’re opposed to Goldsmith’s project, you can sign that petition.
If you support Goldsmith’s project, you can join him, and according to his proposal, “Every person who contributes to Printing out the Internet is listed as a participating artist in this group show. LABOR is the best young gallery in Mexico — everyone gets a great line on their resume.”
If you don’t care, you can obviously ignore the whole thing.
LIES/ISLE PRESENTS: Morning by Lara Mimosa Montes
so now the morning is
a mélange of peachy pinks to me
If this mélange could only be poured into her demitasse
all your peach-noir-pink
pouring it into me
If it’s dark enough
dream time dawn colored enough
Yes, looking at you now is like waking up from the dream
with the bottle of crème de menthe still in my hand
But a bad morning is a bitter morning
in your mouth is the taste of chickory to me
If before you go
would you wake up again?
Wake up like a Will Cotton
framed in gold, yawning
but when I call you a Will Cotton
try not to open your mouth please
When I call you a Will Cotton
I am telling you that in the morning
around half-past ten
you look like a 17th century Dutch still-life to me
with your peach languor perversely
idling without end
or if at the end
you and your eggs Florentine
or if at the end
only a bunch of silly papers
. . . . and the glass of orange juice next to the eggs Florentine . . . .
*****
If you are a white elephant, they say, then you are actually naturally pink
. . . . . . . . . But if you are a glass rinsed with bitters, then filled with gin . . .
Not Sweet
Otto Muehl died two days ago, from Parkinson’s disease. Complicated guy.
Here’s an online copy of Dušan Makavejev’s Sweet Movie (1974), which features Muehl and his commune. (They show up about an hour in.)
Dressing Up Seth Oelbaum
[I was going to post something else entirely today—something light and fun—but I ran into some technical issues, and in any case this past weekend’s comments and page views indicate y’all would rather talk about Seth Oelbaum. So let’s talk more about Seth Oelbaum! As well as talking about Seth Oelbaum.]
Mike Meginnis’s recent post, and his follow-up comments below, clearly express his desire to pronounce some final word on “the Seth Oelbaum question” (as Reynard Seifert so cleverly phrased it), and put it all behind us. I have the highest respect for Mike as a writer and as a friend, and I understand his frustration, but I don’t think critique works that way, or should ever work that way. The price of being able to criticize is constant reappraisal, and not being able to declare conversations over.
In my comments on Seth’s last post (here, here, & here), I stated my concern that I’d said all I had to say about his writing here, was starting to repeat myself. But Mike’s post and the ensuing conversation caused me to return to certain aspects of it, and think up some new thoughts. (Surprising, I know, that I would find I had more to say.) So this is my attempt to lay out my thinking as clearly as I can. I hope you’ll add your own thoughts in the comments section below, if so inclined.
First, let’s agree that Seth’s writing is (perhaps deliberately?) somewhat inscrutable. Seth’s penchant for opacity hasn’t made it easy for people to figure out what he’s up to, even as near everyone agrees that the writing is offensive. Seth has also demonstrated little willingness to engage directly and openly with his growing ranks of critics, preferring instead to double down on his shtick.
I’ve read everything Seth has posted here (multiple times), and many of his posts at Bambi Muse, and a fair amount of his poetry. (Peter Jurmu just gave me a copy of Artifice #5, which contains some sonnets by Seth.) And while I certainly may be wrong in my interpretation, I think I understand part of what Seth is up to. (I’ve said some of this already, but please bear with me.) Forced to summarize, I’d say that Seth is appalled by how the suffering of certain people is privileged over the suffering of others. Thus he was enraged when the US media devoted extensive coverage to the Boston bombings, while it has remained relatively silent regarding the ongoing bomb-heavy conflict in Syria. He’s also enraged when Hollywood regards the Holocaust as an atrocity the Nazis did exclusively to the Jews, ignoring the simultaneous slaughter of the disabled, homosexuals, the Roma, among many others.
If this is indeed Seth’s point, then I don’t find it controversial; nor, I imagine, would you (at least in general—let’s acknowledge that Seth is not one for finer details). If one opposes massacres, then one should oppose all massacres. As such, the US media deserves criticism for privileging certain ones over others. Similarly, we ourselves are at fault when we disregard the suffering of others. We would do well to wonder how and why the world got to be like this, and what we can do to change it.
Meanwhile, we might also say: “Seth Oelbaum, you’re barking up the wrong blog! We’ve already read Karl Marx and Hannah Arendt and Noam Chomsky, and we know what you’re trying to say and already agree with you (even if we find repulsive your way of putting it)! Go post at Little Green Footballs or some other conservative blog, or at least change your shtick to acknowledge that we’re not the audience you’ve mistakenly judged us to be!”
The problem, however, is that this is not the entirety of Seth’s message. The fact that Seth keeps posting here—doubling down—indicates that Seth does not believe that we are “the wrong audience.” Furthermore, from what I’ve heard (and this is hearsay, but I’m inclined for now to believe it), “Seth is always like this”—anywhere he goes, anytime of the day, he’s always “on.” Seth has responded to total war with total abhorrence to war. And while that might not make him the most charming dinner companion (or party guest, as Mike put it), it does suggest a bit more about his motivations. Because I think Seth’s primary goal is to make other people suffer.
An Interview with the Creators of Starseed Pilgrim
Yesterday, after my lunch but before theirs, I interviewed Droqen (i.e., Alexander Martin) and Ryan Roth, the developer and sound designer of Starseed Pilgrim, a beautiful, mysterious game about “tending a symphonic garden, exploring space, and embracing fate.” It’s six dollars and I am extremely confident your computer can run it. I was kind of awkward and shy, predictably, but the two of them did great. We did it as a video because that was expedient, but if I were you I would treat it like a podcast — listen to the audio; don’t feel like you’ve got to watch. We talked mostly about video games — Starseed Pilgrim, Droqen’s other games, stuff we had all played and enjoyed, and things we didn’t like so much. But I don’t think you have to like video games very much to find a lot of what they said interesting. I made some annotations (indexed by time code) to provide context and further information for the things we discussed; click past the fold to see them. READ MORE >