Win Robert Lopez’s Part of the World

In one of my favorite books last year, Robert Lopez’s Kamby Bolongo Mean River, a man is locked in a room with a telephone and a bed. He spends a lot of time answering phone calls from strangers, and a lot of time drawing stick men and masturbating, and rummaging through his brain contents of growing up in a place called Injury, Alaska.

The book’s title comes out of the narrator’s remembrance of his brother repeating the phrase from the TV miniseries Roots. The phrase, along with other odd small ideas, indented moments, phrases looped, present themselves so seared on the narrator’s head it is as if he’s not in this single tiny room at all. If you’ve ever wanted a perfect book to teach or observe voice as character, setting, etc., Rob is the one, both here in Kamby, and in his first book Part of the World. Few maintain such control line by line of what, where, and when while managing to keep you hypnotized in tone.

Rob has offered to give away a few copies of a rare purple-covered edition of Part of the World, never before available. To enter, just comment here with a memory of your own childhood related to some looming repetition of phrase or sound or image from TV or film.

Three winners will be selected late Thursday night.

Contests / 49 Comments
May 12th, 2010 / 12:11 pm

The Whole Thing About Poetry

At the Juniper Festival a few weeks ago there was a panel about The Future of Poetry. The panelists were Evie Shockley, Cathy Park Hong, Heather Christle and Rebecca Wolfe. It was good, cutting edge, perhaps too polite but definitely the sort of thing that is supposed to happen at panels.

Rebecca Wolff said poetry doesn’t matter and it sucks that poets, who are smart and engaged people, are wasting their lives on something cloistered and anonymous (my words) when they should become civil servants, business people, people who can make a difference. Essentially, the world is missing the poet’s perspective in areas where they are needed.

I could be paraphrasing this in an unacceptable way, just so you know. But that was the gist. READ MORE >

Behind the Scenes & Craft Notes / 54 Comments
May 12th, 2010 / 11:43 am

Is anyone else sick of contests? I’m sick of contests. Why?

Bad Houses

The Last House on Dead End Street

I found an interesting parallel in the two films from The List that I rented this weekend. They were Kiyoshi Kurosawa’s Cure and Roger Watkins’s The Last House on Dead End Street.

Central to both films are abadoned, decrepit buildings. In Cure—a serial killer film that is more about mood and psychological tension than the gorefest that is LHODES—it’s an old hospital.


READ MORE >

Craft Notes / 56 Comments
May 11th, 2010 / 5:19 pm

We are here

It’s odd that technology’s default backdrop is often nature, as if an apology, a nod to how things were. Windows XP’s “bliss” wallpaper shows a rolling meadow seen through faceless, almost disembodied eyes. Apple, always listless and self-conscious in their designs, offers us, with the iPad, a clear lake at dusk; I wonder if it’s just me, or if “dock” — the term Apple uses for the row of applications at the bottom — in the foreground is a playful pun operating also as a dock on a lake. Or maybe it’s not dusk but dawn, wake up time for the early risers, those people with severe jobs and complicated calendars.

I once pointed to my iPhone in Google maps and said to my wife during a hike “we are right here,” to which a passerby scoffed “no, you are here,” demonstrating with his arms the vicinity of reality (I guess everyone is a Zen master). He probably went home to regale to his wife a story about some dork on his iPhone who could only find his ass were it an app. It’s useless to look at porn on your iPhone: the lovers are too small. If you’ll grant me an aphorism, let it be that.

I’d like to think I could jump into Apple’s lake anytime, dusk or dawn, like a seal meets Thoreau. Let me just block out the image of Jason Voorhess comin’ to get me, which is why I never camp, no matter what Sontag has to say about it. If you don’t know what I’m talking about, sigh, youtube and wiki it, respectively, you useless bastard.

Technology / 21 Comments
May 11th, 2010 / 3:50 pm

“She and he breathed today in many different ways, some of them unique, some of them more familiar, and in places they couldn’t have until then predicted”

New all-prose Alice Blue features heavy hitters Brian Evenson, Amelia Gray, AD Jameson (from whose “Whisper, Current, Gust” the title of this post is snagged), Susan Moorhead, Erik Leavitt, Julio Peralta-Paulino, Erika Kristine Bogner, Sam Schild, Timothy David Orme, Michael Kimball, Benjamin Buchholz, and Aaron Block

Uncategorized / 3 Comments
May 11th, 2010 / 3:28 pm

In Which We Read a Few Good Books, Connect Some Dots, and Have Ourselves a Very Fine Time

I enjoyed David Lehman’s Signs of the Times: Deconstruction and the Fall of Paul de Man so much when I read it in April that I decided to try my luck with another of his several works of nonfiction. I almost picked up Perfect Murder: A Study in Detection, but I’ve been in a gung-ho poetry mood lately, so instead I opted for The Last Avant-Garde: The Making of the New York School of Poets, a group biography of Frank O’Hara,  James Schuyler, Kenneth Koch and John Ashbery. I encountered this Ashbery quip earlier today in the book, and was going to share it as a power quote, but that’s not really in the spirit of Ashbery, besides which now I want to talk about something else, too. Anyway the quote goes like this:

Recklessness is what makes experimental art beautiful, just as religions are beautiful because of the strong possibility that they are founded on nothing. We would all believe in God if we knew He existed, but would this be much fun? (p. 39)

READ MORE >

Roundup / 75 Comments
May 11th, 2010 / 2:59 pm

Dennis Cooper on the space of Ugly Man

Author Spotlight / 12 Comments
May 11th, 2010 / 1:56 pm

At Triple Canopy, a podcast conversation between Joseph McElroy and Joshua Cohen, discussing one another’s work.