August 2014

A “Conversation” with Rauan Klassnik (1)– (Huh??)

xx ahhhh the magic of poetry

Ahhhhhhh– The Magic of Poetry

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This is the first of an occasional series in which other people ask me serious and stupid questions about my sex life, how much money I make, gender fluidity, etc, etc. And then I step up on to the stage to give the straight and skinny with as much panache, delicacy and hulking wisdom a human soul can muster post Henry Miller (Ha Ha Ha ha ha):

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This started up when I was bored and tweeted:

talk shit

a call for help!!

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I guess I was really bored. And I guess I was a little bewildered by some interviews I’d read online recently. (It’s better when they call themselves “conversations” and use phrases like “writing process.” . . . I wish I could get all religious here like crazy old Henry Miller. Fevered and romantic. Like a barbecue of militant, bible maniacs: teenagers at an Amy Grant concert.)

So, anyways, Timothy Volpert answered my distress call, sent me some questions, and here’s the Q and A:

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August 15th, 2014 / 11:40 am

A THEATRICAL ESSAY ON TRANSFORMATIVE THEATER FROM THE WORKS OF A FEW CONTEMPORARY FEM WRITERS

gurlesque

The second e-version of Gurlesque, an anthology of “the new grrly, grotesque, burlesque poetics,” is coming out soon with an expanded number of amazing female writers, including Jennifer Tamayo, Marisa Crawford, K. Lorraine Graham, Kate Durbin, Kate Degentesh, among others— along with the original contributors, one of whom is Stacy Doris.

When I read Doris’ funny, edgy, cerebral, and (dis)sensual Paramour in college, I knew I needed to go to San Francisco State for my MFA so that I could work with her in person. Stacy proved to not only be a phenomenal writer but also a caring mentor. Her passing in 2012 still feels raw today.

After reading an excerpt of Doris’ book The Cake Part [1] which was published in the first edition of Gurlesque, I decided to read the full version and then (circuitously) write the following essay, incorporating other writers that used theater the way she did (or did not) in that book.

Only, since I was writing about transformative theater, I figured the traditional essay format wouldn’t lend itself as well as a more dramatic format…

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Scene: In a spaceship in a parallel universe. Android GERALDINE KIM types commands into the complicated lit-up dashboard as her ship is being attacked by a multitudinous tentacled alien race.

GERALDINE KIM: (ignores cosmic blasts while typing furiously.) I tried to write an essay on theatrical writing (not to be confused with the genre but more a leitmotif within other genres of writing—namely poetry) and then I realized that there are actually only a handful of instances of this in contemporary fem writing (that I could find).

GERALDINE KIM’s BEST FRIEND WHO WISHES NOT TO BE IDENTIFIED: (enters.) How many instances did you find?

GERALDINE KIM: Four.

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August 15th, 2014 / 10:00 am

Reviews

25 Points: Go to Work and Do Your Job. Care for Your Children. Pay Your Bills. Obey the Law. Buy Products.

cicero
Go to Work and Do Your Job. Care for Your Children. Pay Your Bills. Obey the Law. Buy Products.
by Noah Cicero
Lazy Fascist Press, 2013
188 pages / $12.95 buy from Amazon

1. Still one of the best titles of any novel, ever.

2. This book is in two parts. Part 1 is narrated by a reasonably bland, vaguely liberal character named Michael who starts a job at a ‘treatment centre’ (for treatment centre read prison) complex called NEOTAP. Part 2 is narrated by NEOTAP IT employee, work colleague and soon to be girlfriend Monica.

3. The whole thing is a mish-mash of different genres, different registers, narrative structures, etc., and is largely concerned with the kind of Orwellian power of the NEOTAP system.

4. The NEOTAP system is, roughly speaking, an analogy for American (Global?) Capitalism and its ‘5 pillars’ (the five pillars of the book’s title). I was pleased that it was only a lightly fictionalised dystopia as there is little need to overly fictionalise something that very much seems to me to be the dystopia of contemporary western capitalist reality.

5. I’m pleased young Alt-Lit people/novelists are engaging with these kinds of things. It gives the lie to any notion that Alt-Lit is merely just a narcissistic pose (it is sometimes) but clearly there are more possibilities for it and this should be embraced.

6. With this in mind, I’m going to suggest this book is a great starting point towards reading more about how the advanced capitalist system works. You know how they like to say marijuana is a kind of gateway drug to other ‘terrible’ drugs, well this book is a gateway drug to the following (see points 7-11).

7. Read this book then read Orwell’s 1984 (which is a bit out of date actually and can sometimes become a kind of carnivalesque pressure valve type situation that posits a clichéd ‘Orwellian’ dystopia that can be re-co-opted by a strand of the entertainment industry who make it so cartoonish that it somehow becomes part of the horror genre and risks missing out on the original points that Orwell was trying to make. The general principles remain sound though).

8. Kafka’s The Trial (similar situation to point 7).

9. Some basic Marxism (you might think this is ‘old’ but a lot of it is more important than ever).

10. Current articles about how ‘The Internet of Things’ will benefit insurance companies and socially engineer us more than we ever imagined.

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August 14th, 2014 / 2:30 pm

THOUGHT CONTEST: Which artists do you suddenly randomly care about?

On the way back from buying an overpriced kombucha drink because I was concerned about my daily green intake, I did two things:

1) thought of and executed the tweet “I put a bottle of kombucha next to a tree and the tree got very offended.”

2) thought “I wonder what Charlie Kaufman is working on,” then thought “Hmm, there’s a very short list of artists/filmmakers/poets/writers whose current projects I randomly get curious about out of the blue. It doesn’t mean they’re my favorites. Actually I don’t know what it means.”

CONTEST: Which artists/filmmakers/poets/writers/musicians/c’monyouknowit’s
allthesamething do you get randomly curious about?

Like you think out of nowhere, “Hmm, I wonder what ______ ______ is working on.”

Tell us in the comments. A winner will be selected at random and will win any book they want under $25 from Small Press Distribution.

Contests / 17 Comments
August 14th, 2014 / 11:21 am

What’s it like to be drunk?

Reviews

25 Points: Her

joaquin-phoenix

1. Joaquin Phoenix’s mustache first attracted me to this film.

2. The year 2025 seems like a very lonely, interestingly fashionable time.

3. People are so lazy in 2025 that they hire writers to compose love letters for them.

4. Joaquin Phoenix has a picture of a naked, pregnant woman on his phone.

5. Who gets off by being strangled with a dead cat?

6. Joaquin Phoenix needs to stop going after terrible women.

7. Life lesson from this movie: don’t fall in love. Ever.

8. This film reminded me how lonely I am.

9. Realized that Spike Jonze and I have a similar vision of a day where it becomes fashionable to sport a mustache once more.

10. Samantha and all the other Operating Systems reminded me of a friendly version of Skynet.

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5 Comments
August 12th, 2014 / 3:15 pm

One of the most interesting Seattle Author Spotlights that I posted featured Elissa Washuta. And her book “My Body Is a Book of Rules” has just released! You can read the Spotlight here.

And you can order the book here.

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Reviews

Found Out: Jeff Griffin’s “LOST AND”

Lost_and_cover_0Lost And
by Jeff Griffin
University of Iowa Press, October 2013
174 pages, Buy from Amazon

I’ve been a big fan of Jeff Griffin’s work since he added me on facebook, years ago when I lived in DeKalb, IL and still had an account. I published an excerpt of Luxury Arcana, a collaborative work that Griffin produced with his compatriots Jerimee Bloemeke and Henry Fitch, in an early issue of LIES/ISLE. I became a dedicated fan of Human 500, Griffin & Bloemeke & Finch’s press, purchasing everything they put out.

One of my favorite books that Human 500 put out was There’s Never Been a Day That Didn’t Require Knives Like These (which you can hear Jeff talk about here), which is ostensibly an early version of the beautiful book LOST AND. I read it hung over after I had missed the train leaving Chicago taking me back closer to the shithole of DeKalb, IL which I called home at the time. In the state of being hung over the book carried a heavy affect that resounded through my aching bloodstream. I was astounded by the, perhaps let’s say, purity, or maybe even authenticity (though as a friend once said, “Nobody cares about authenticity other than Lorde”) that carried the tone of the assemblage. Thick for a chapbook, but totally comprehensive.

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August 12th, 2014 / 9:50 am

Reviews

Affix Your Tinfoil Headware and Dive into The Exegesis of Philip K. Dick

The_Exegesis_of_Philip_K_DickThe Exegesis of Philip K. Dick
by Philip K. Dick
Edited by  Pamela Jackson & Jonathan Lethem
Houghton Mifflin Harcourt, 2011
976 pages / Buy from Amazon

 

 

 

 

 

 

Some authors’ lives are more interesting than their literary output. I’d rather read Ted Morgan’s excellent William S. Burroughs biography Literary Outlaw than any Burroughs’ book other than Junkie. Philip K. Dick led such a grandiose life that he’d belong in this category if he hadn’t written A) so many interesting novels and short stories and B) at least three major novels in Ubik, The Three Stigmata of Palmer Eldritch and The Man in the High Castle. He also left behind an unwieldy hunk of mystagogic scout work now known as The Exegesis of Philip K. Dick.

Let’s get some basic facts out of the way. Dick is popularly known as the author who inspired films like Blade Runner, Total Recall and Minority Report. He was mired in the pulp mills of sci-fi for most of his career (44 published novels; 121 short stories). He was prescribed (!) meth-amphetamine and gobbled whatever drugs he could pillage from his mother’s medicine chest. He enjoyed the company of five different wives. Most significantly, he experienced a series of mystical encounters:

1)    A beam of pink light told him that his son had a rare, serious birth defect that needed medical attention. This couldn’t have been observed with the naked eye. At the hospital doctors confirmed Dick’s otherworldly diagnosis. His wife from that period corroborates the story.

2)    When a delivery girl came to his door wearing a fish sign necklace that was worn by the early Christians, Dick came to believe in an underground network of secret Christians that he was being initiated into.

3)    During a period of heavy amphetamine use, he looked into the sky and saw a menacing, metallic, malevolent god. This wasn’t a transitory hallucination. The old triple-M sky-god looked down on Dick for a number of days, serving as inspiration for his masterpiece The Three Stigmata of Palmer Eldritch.

4)    Most spectacularly, Dick reached the conclusions that:
–       Time was an illusion
–       Reality was a hologram
–       The year was actually 50 A.D.
–       The Roman Empire never ended
–       Without having read The Book of Acts, he independently recreated parts of it in his novel Flow My Tears, The Policeman Said.

Much of this is revealed as the tractate in his novel VALIS, whichfrequently references Dick’s exegesis, defined as a “critical explanation or interpretation of a text or portion of a text, especially the Bible.” Up until recently, only a truncated version had been published, but self-styled Dickheads were desperate for more. Jonathan Lethem, Pamela Jackson and a team of editors dug through Dick’s cartons of manic exegeting and in 2011 Houghton Mifflin Harcourt published a thousand page volume titled The Exegesis of Philip K. Dick.

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August 11th, 2014 / 10:00 am