Califono
Califone is a band to get bent with – a stethoscope to the picked over cloud country, a mason jar of one eyed mermaids drink from. Good beauty, if you can get it.
For a time now, poet Joshua Marie Wilkinson and Solan Jensen have been making a long anticipated film about the ramshackle blues crew. They’ve just now come back from the darkroom with their own 68 minute dream, Made A Machine By Describing A Landscape. Shot between 2004 and 2008, the film follows the acclaimed indie-rock icons on the road and in the studio with “an exploratory, intimate, and at times experimental take on both creative process and performance.”
Out now from Indiepix Films.
Al Burian US reading tour
I recently caught up with Al Burian in Berlin to record a podcast and I realized that I should let all of you know that you should not pass up the chance to see Al Burian read if he is rolling through your city on his upcoming reading tour. Seriously. I’ve seen him read several times and he’s always delivered. Tell him Jackie sent you.
NEW PUBLICATIONS BY AL BURIAN
BURN COLLECTOR #15 will be out in March, published by Microcosm.
http://microcosmpublishing.com
March will also see the release of OK, OK, You Smote Me, a short story in zine format, available exclusively from Quimby’s bookstore of Chicago.
READINGS
March 12 Bookthugnation, Brooklyn NY
March 13 Molly’s Book Store, Philadelphia PA
March 15 Towson University, (near Baltimore) MD
March 17 Sugar City, Buffalo NY
March 22 Quimbys, Chicago IL
March 25 Chicago Zine Fest
March 8th, 2011 / 4:36 pm
Lydia Millet Interview at Willow Springs
Sam Ligon interviewed Lydia Millet in Willow Springs. You can read the full interview here (pdf).
Millet: I was asked recently whether I considered my taste to be minimalist in prose, and I never thought of myself that way, but I do like a lot of space on the page. That is to say, not actual physical white space, but I like there to be space, as with, say, some Nabokov, where there’s a lot of metaphysical space that’s somehow created by the language. I don’t like to be overwhelmed with words. I don’t want someone to try to do some “Wham, bam, thank you, ma’am” with their verbiage. I want there to be room for the silence of the mind in the reading.
Chris Mason in HUM WHO HICCUP
Oh sweet, the new book from Narrow House is out and shipping — Hum Who Hiccup by Chris Mason. He’s one of my favorite people poets in the people universe, so smart and nice and a relaxed scholar of what’s happening. And what’s happening is so much because of what he’s doing and what he’s done, like playing music in one of my top favorite bands, Old Songs, which performs their own translations of ancient Greek poetry. An Old Songs show is worth a trip to Baltimore.
The first mention of the book by Michael Lally is up. I think there will be a lot more buzzing soon. I got a sneak peak and can attest that it’s a beautiful book, outside and in. The poems are funnier than they ought to be (there’s a tribute to a fart, I think), but they work because Mason has perfect pitch. And Justin nailed a challenging design — challenging because some of Mason’s poems are circular because who said words have to sit on a line?
Or do anything else ordinary? Evidence of such postulatin’ below the fold, with Chris Mason reading at In Your Ear (introduced by the ambulant Buck Downs): READ MORE >
Beefin’
I wrote an article about editing and some of my past favorite submissions (favorite as in “was this handwritten paper submission composed with human blood? ha ha. wait…no seriously look…this submission REALLY IS written in dried human blood, wash your hands!” or “poem about a snowflake written in the shape of a snowflake just in time for Christmas,” or “story from guy in prison who in his cover letter asks us to mail the money he’ll get if his story is published to the address of a given drug dealer below, explaining that the funds will be an installment payment towards the crack cocaine tab he’d accrued at the time of his incarceration” or even “travel back in time to kill Hitler only to end up falling in love/sexing him, so much sex that he becomes docile and happy, except you then get pregnant with his hitlerspawn who grows up to do exactly what his father would’ve done even though his name is Wilhelm, sometimes the best intentions don’t get the best results” favorite). But also about the pure, kitsch-less favorites as in “this story makes me see Pushcarts rain from the sky.”
Also, I will be reading this Saturday at Elliott Bay Book Company in Seattle at 7pm
Also, I keep trying to quit Taco Bell beef but it’s like that Taylor Dane song “Love Will Lead You Back.” Ain’t that the meximelt truth.
httpv://www.youtube.com/watch?v=n6A0xivfIMo
Larson, Darby. The Iguana Complex (2011)
They are to each other after and on the flower near the crackling fire next to each other but when she looks she’s no longer looks at him. Looks at him. She’s not there looks at him. No longer on, she’s not there, the lone floor of Freeman’s living room and/or the opera stage where the deafening noise, rather, from our crowd’s spoke-woken her. She must have passed, missed, slipped out, slipped, must have hurled herself in the path of a hurled pointy hat. The crowd’s on their endingly feet singing neverendingly songs over and over, the song Cassandra beguttoned a day or so ago.
Oh Reuben, oh Reuben, offstage jumping: keep it going, yes yes, keep singing, keep it going. But she’s jumped and banged and heaven’s sake and sang enough for heaven’s sake, was just pointed-hat-hurled on stage for heaven’s sake, hurled in the pointed hurled hat with a head.
The crowd sobers when the loss of their leader is lost from the strange of the onstage. They file, the crowd, out of our theater seats whistling like a bird-caller army in their cars, near their dinners, at their desserts, within dreams, out from deserts, under oceans, sleepwalking-whistling to kitchens preparing two egg in the morning salad sandwiches.
Freeman prepares himself and his components, the components of the egg salad sandwich at two in the morning with his kitchen around him, tea kettle whistling. Whistling.
No longer whistling. Can you barely? You’ll need to look closer: Cassandra fashioning at Freeman’s kitchen table, the square one, eyes open, a mug of tea, ghost roses parading and the donkey playing a cello.
Jameson, A D. Amazing Adult Fantasy (2011)
A D Jameson, lost and innocent, narcissistic and corrupted, has been dreaming his way through the past thirty years, the dying breaths of the fictional 20th century. In his dreams he made many friends: the alien puppet ALF, cantankerous, theadbare, and living in a casket; Luke Skywalker, middle-aged, mustachioed, and hateful; and Bonnie Raitt, the ceramicist, shining spotlights onto sand and cancer.
He invites you now to join both him and them; his lips shape your name. For his dreams have also been about you; he’s been searching for you for a long time. Lie down beside him; allow him to drape his glittery silver fur coat across your shoulders. He’ll fold his hands and bow and whisper. He’ll hand you a gumball that’s grown stale inside a locket. He’ll hand you a gem that fell down from the moon. Together, you’ll sail across the ocean on his wok rat; nibbling his tree pig. Together, you’ll enter these fantastical tombs.
REDWALL OBIT
Brian Jacques, the Redwall guy, just died. I read those books when I was tiny… when there were only like four or five of them (now there are 21; a new one is soon to be published). His name brings back memories. I used to have nightmares about a huge rodent with a skull-helmet and a large, weighted net chasing me.
Book of Freaks
Jamie Iredell. Future Tense. The Book of Freaks. March.
Oh, hell yes.