I interviewed Andrew Zornoza, author of the incredible Where I Stay from Tarpaulin Sky, about the book, influences, sentences, Chris Farley, photography, etc., for Bookslut. “I’m interested in new feelings that haven’t been mythologized yet, I’m trying to get as high and bent as possible. I can over-intellectualize after the fact, but in the moment, when I’m sitting in front of that computer, all that is far away, everything is far away…”

a sweet find from Jeremy Schmall- The Abe Books Weird Book Room. I would like to point out that I have actually read one of the books featured on the site (but not pictured here)–Dominique Laporte’s History of Shit.

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INTERVIEW WITH MICHAEL HANEKE

apparently not a Haneke self-portrait

So I interviewed Michael Haneke about his new film The White Ribbon, which just opened in the United States and won the Palme D’Or at Cannes last May. You know Haneke, I think: Cache, Funny Games, The Piano Teacher, Code: Unknown, Benny’s Video… yes, you know Michael Haneke. Perhaps you even agree with me that he’s one of the world’s greatest living directors.

jolly!

We did the interview in a hotel in midtown Manhattan. He was slender and well-dressed with a beard the color of Malamute fur. As others have observed, he’s disarmingly pleasant in person—even jolly. If he weren’t so thin, he could be Santa Claus.

Even if you’re prepared for it, it’s remarkable to note first-hand how the cruelty, despair, humiliation and horror of his films have no counterpart in his demeanor. Actually, more than anything, he seems professorial.

Our Q & A is below. I’ve condensed some of my questions and remarks to streamline/clarify, and so you don’t have to read as much from me, but I’ve preserved just about every word Haneke said, intelligibility of the tape allowing. His English is fairly good, but unless otherwise noted, he’s speaking through a translator.

*************
Nick Antosca: Are you afraid to die?
Film & Massive People / 25 Comments
January 4th, 2010 / 10:08 am

Every Book and Magazine with Typos/Errors?

I am reading Face by Alexie and on page 35 there is a sentence that needs indenting. This a game, finding these tiny errors, locating them in magazines, canonical works, some huge publisher.

One part of me—the part editing The Broken Plate and about to teach about copy-editing—is paranoid. Many magazines feel less (or no) errors are related to the quality of the publication.

Some feel like a typo in a book is a human gesture, a beautiful mole, unsymmetrical ears, the smudge in the painting, the flaw that makes the thing.

How much is on the editor, the writer?

How closely do you look at your galleys (if you get them)?

Do you have a technique to catch errors? The writer, too near, as the worst diagnostic?

War story? One time a magazine had my word “years” changed to “ears.” That smarted a bit. Years, ears…

You?

(image by Mr. Eggers)

Behind the Scenes & Craft Notes / 69 Comments
January 4th, 2010 / 9:47 am

Azorno

It fell completely silent. I felt like a diver who finds himself at the bottom of the ocean one minute and on solid ground the next, unable to hear whether the others are saying he’s dead or alive because he’s encapsulated in a silence as vast as if he’d brought the ocean up with him and it surrounded him now like a hue bell that no one could pass through without drowning. The fluttering plant curtains filtered the light that flickered over my eyelids as over a gray sandy bottom. I dozed off in this air that was dense and warm and green, and also poisonous, because she had already discovered me, and then, with the greatest silence, sprayed her poison in through the windows, a green poison that quickly stripped all the leaf-flesh off my human body, exposing my ribs, fluids, and reproductive system, causing me to cave in, collapse, crumble, almost vanish; yes, there was actually only a little dust remaining, and that could be easily brushed off the sheet before lying down, as if there were a little sand between the toes the evening before. I got up. A couple of drops fell from my crotch. They spread out and became a little gray spot on the sheet. A little head with ears.

Inger Christensen, Azorno, pp. 22-23 (translated from the Danish by Denise Newman)

—-

Inger Christensen died last year. She wrote very many books. There are no interviews with her online.

Massive People / 10 Comments
January 4th, 2010 / 12:10 am

nate tyree sends word of a new online anthology oprah read this

The Rule of Threes is Bullshit

image source

1. The Kansas City Public Library’s parking garage. Library patrons voted on which titles got used in the facade. Reminds me of Frank Gehry’s Binocular Building in Venice, Ca. Don’t you think it’d be nice to live inside a cartoon? We could draw ourselves into any scene; and every building could double as an object of desire. If your house could be any book, what would it be?

2. For all of the dorky grammarians out there. (I include myself in that group.) Learn Your Damn Homophones.

3. Last night I watched a great Swedish movie called Let the Right One In. It’s likely the most poetic vampire movie you’ll ever watch.

httpv://www.youtube.com/watch?v=ICp4g9p_rgo

4. (because the Rule of Three[s] is bullshit) A tiny lil poem from Mary Ruefle, in her book Indeed I Was Pleased with the World. I love it, and I’m very interested in the tense changes.

Bring me a coffee mug from a house
where no one has died. Bring me
an eggbeater, the scissors,
and a very ripe plum.
I am going to make you a toy.
When you play with it,
in my heart I open my sad eyes
and stare.

Random / 46 Comments
January 3rd, 2010 / 5:30 pm

So Fixed Your Function

Like if I watched you brushing your teeth, you pick up toothbrush this way, start on this tooth, move that way, spit, start there, that tooth…the same method every morning. You don’t believe me? Videotape yourself.

You drive to work two ways. Two routes, maybe. Same roads/signs/stores/sky. You could easily take some other roads/paths, maybe 40. You would see 40 new things. But you don’t.

I want you to go eat something new. Don’t cheat. Go the ethnic restaurant, produce aisle, international market—select something you have never eaten before. Eat it.

What is the point?

READ MORE >

Craft Notes / 20 Comments
January 3rd, 2010 / 4:43 pm

Sleepingfish 8

Sleepingfish 8 is out now, edited by Gary Lutz and Derek White, featuring literary text objects by: Ryan Call, Anna DeForest, Sasha Fletcher, Nina Shope, Rachel May, David McLendon, Eugene Lim, The Brothers Goat, Lito Elio Porto, Adam Weinstein, Diane Williams, Dennis Cooper, Elliott Stevens, Tim Jones-Yelvington, Alec Niedenthal, Amelia Gray, Matt Bell, Eduardo Recife, David Ohle, Evelyn Hampton, Émilie Notéris, Ottessa Moshfegh, Cooper Renner, Christine Schutt, M. T. Fallon, Daniel Grandbois, Julie Doxsee, Terese Svoboda, Blake Butler, Stephen Gropp-Hess & Ali Aktan Aşkın.

$12, with excerpts online, including music and textual collage.

Uncategorized / 32 Comments
January 3rd, 2010 / 1:41 pm

Mexican Getaway with Julia Cohen & Mathias Svalina

All poetry power-couples should be required to have dueling(/dualing) blogs. As JC has mentioned on her blog before, her parents are retired to sunny Mexico, and so she and MS went down from Denver to spend the holidays in the not-snow. His slideshow is here. Hers are here, here, and here. Also, his new (debut full-length!) collection, Destruction Myth, and her chapbook, For the H in Ghost.

Here are photos they took of each other.

Oh, and here’s Mexico-

Good deal.

Author Spotlight & Behind the Scenes / 5 Comments
January 3rd, 2010 / 12:51 pm