art

The Romantic or The Playful: a conversation about art and happiness

In response to this excellent post, Sean Lovelace said this:

    I detest the write-or-I will-die-school.

    Why can’t people write an intellectually stimulating activity, as intellectual play?

    It has to always be ink-as-blood thing?

    I don’t get it.

I’m going to suture in my (slightly edited) response here, as well. I would love input from all.

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Behind the Scenes / 249 Comments
May 8th, 2010 / 10:20 pm

Manuel Delanda on Deleuze & Genetic Algorithms in Art

httpvh://www.youtube.com/watch?v=50-d_J0hKz0

This video held me rapt for the 1 1/2 hour stretch. Delanda is a great speaker, and what he says about environmental & intensive partnerships in art is really fascinating to me.

Author Spotlight & Technology / 6 Comments
April 19th, 2010 / 11:15 am

Against Dualism: Yes That Is A Joke: A Response.

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Like Christopher, I tend to put off formal long form thinking for the most part; I like videogames and cheese. However, I feel kinda of maternal in this case, because I think it was this admittedly provocative prompt that got Roxane thinking and talking, and me thinking and talking, which lead to Chris’s rebuttal. So pardon me for this sensuous and likely embryonic blab. I’ll also adopt the third person here.
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Craft Notes / 54 Comments
March 31st, 2010 / 9:08 pm

Art History (Part One) by Vuk Vidor.

What do you own?

Fascinating profile of artist Tino Sehgal at the NYT.

Happy New York (Part I)

I don’t think the Rust Buckle Books (more on these in Part II) beer can logo (below) is by Brian Calvin, but seeing it reminded me–via Flood Editions, where Calvin’s heads (Half-Mast, 2001, and Killer, 2006) can be found on Graham Foust’s Necessary Stranger (2007) and A Mouth in California–that “Head”, his show at Anton Kern, closes on January 16.

I’m sure New Yorkers themselves go elsewhere (where?), but “Goings On About Town” is still my first stop to find out what I get for living where else. Although there’s always an abundance in ART (the above BRIAN CALVIN, WALLACE BERMAN – Jan. 9; “FROTTAGE” – Jan. 17) and MOVIES (Tati–tonight, Trafic–at the MOMA: see also, under ART, OROZCO) that I wish I wasn’t missing, rarely does READINGS AND TALKS make me want to move.

Ever abbreviated (possibly defensible in print, but why all the white space online, where this week there were three total readings–no talks–compared to eight pages of movies?), the section is never more so than in its annual capsule announcement of the reading of the year:

A hundred and forty poets and performers, including Penny Arcade, Yoshiko Chuma, Steve Earle, John Giorno, Taylor Mead, Judith Malina, Jonas Mekas, Eileen Myles, and Genesis Breyer P-Orridge, gather for the thirty-sixth annual marathon reading at the Poetry Project.

What about the other 130 plus poets (from Ana Bozicevic to Magdalena Zurawski) and performers (Philip Glass) and performers (Ostashevsky)? Is there another reading anywhere that, thanks to the Project’s own Arlo Quint (and Emily XYZ) covers every letter? But I guess I shouldn’t quarrel with an alphabet that begins with Penny Arcade and ends with Genesis Breyer P-Orridge. Indeed I would have gone to hear the listed Ms alone: where else could you find Mead (who turned 85 on New Year’s Eve), Malina (b. 1926 in Germany, godmother of the American avante garde), the Lithuanian born Mekas (godfather of same, turned 87 on Christmas Eve), and Myles (the only Presidential candidate who’s written a speech about Robert Walser?), not to mention Machlin, Marinovich, (Chris) Martin, and Mesmer, among Many More (see list-in-progress, with links, after the leap), in one audience, let alone on one stage?

CAConrad, the poet of the year if ever there were one (when’s the last time anyone had books as good as Advanced Elvis Course and The Book of Frank come out in the same year?), has an anecdote about the most memorable line from the 2005 reading in the comments section of this to-be-revisited list. Can anyone give us some highlights from yesterday’s event? Will anything else in 2010 approach this gathering in sheer skylight? READ MORE >

Massive People / 16 Comments
January 2nd, 2010 / 6:32 pm

Notes To An Art Maker & Marketeer, part I

Community is important, but so is dissemination.

Magic will always reside in the product. As the ignorant become less so, look for new ways to hide process.

‘Industry standard’ means broken.

Remember that you will probably embrace the idea that offends you the most. Make it sooner rather than later.

Do people really want to communicate with their storytellers? Recognize the value in the mystic, the shaman. Resist the quick and affirmative feedback of mass social connection. Again: see the majority and violently question, reinterpret.

Anticipate ecology moving away from the market and becoming an ethics again.

Even further? Plan for an automated technocracy. How does the story change? What ails?

Behind the Scenes / 6 Comments
December 20th, 2009 / 4:57 am

Everything Is Everything

httpv://www.youtube.com/watch?v=ym0LaSAn5n8

Technology / 18 Comments
November 5th, 2009 / 6:11 pm

Play Sleuth #1

Anyone know the origin of this photo?  Digging the ink, the stance, the composition, everything.

Random / 22 Comments
October 23rd, 2009 / 8:33 pm