Power Quote: Roland Barthes

True, there are revolts against bourgeois ideology.  This is what one generally calls the avant-garde.  But these revolts are socially limited, they remain open to salvage.  First, because they come from a small section of the bourgeoisie itself, from a minority group of artists and intellectuals, without public other than the class which they contest, and who remain dependent on its money in order to express themselves.  Then, these revolts always get their inspiration from a very strongly made distinction between the ethically and the politically bourgeois: what the avant-garde contests is the bourgeois in art or morals–the shop-keeper, the Philistine, as in the heyday of Romanticism; but as for political contestation, there is none.*  What the avant-garde does not tolerate about the bourgeoisie is its language, not its status.  This does not necessarily mean that it approves of this status; simply, it leaves it aside.  Whatever the violence of the provocation, the nature it finally endorses is that of ‘derelict’ man, not alienated man; and derelict man is still Eternal Man.

*It is remarkable that the adversaries of the bourgeoisie on matters of ethics or aesthetics remain for the most part indifferent, or even attached, to its political determinations.  Conversely, its political adversaries neglect to issue a basic condemnation of its representations: they often go so far as to share them.  This diversity of attacks benefits the bourgeoisie, it allows it to camouflage its name.  For the bourgeoisie should be understood only as synthesis of its determinations and its representations.

Mythologies, page 139-140

Power Quote / 30 Comments
October 11th, 2009 / 4:32 pm

Paragraphs of New Senses (7): Dennis Cooper

denniscooper

Nate lies by the road. It weaves off into the mountains out there. And it reeks. He’s been here for hours, partly obscured by the brush, awaiting the right car to pass, and a nice passerby. Someone in elegant clothes, whom he can fleece. God forgive him, he’s broke. The sun’s creepy, a hard piece of scalding red shit that has no consciousness of its own, so Nate can’t tell it anything real like, Go away. Everything should have a mind. So he could communicate with it. So he could say, Grass, get taller and cover me better. Or… School bus, stop here, right this second, and dump all your passengers out on the road so I can fuck, rob, or kill them. He wouldn’t mind if the bus said, No way, you’re too fucking lowly a jerk to waste time on. Or if the sun said, Oh go ahead and burn up, you asshole. Or if he could say to this road, Hey, can you glisten a little? ‘Cos that would look so unbelievable. And it would glisten for Nate, to be nice. Then it might say, Okay, now you walk on my surface awhile. And Nate would, even if it got him arrested. ‘Cos the road is so peaceful or something. Anyway, everything understanding everything. People’s guns saying, No, not him, asshole, kill him. And Nate’s pistol would swing itself around and do the shooting for him. And he’d just go, Well, hey, I didn’t make the decision. And his gun would go, Yeah, I made the fucking decision. And what would the cops do? Melt down the gun? Well, they could. And maybe they would be sad, ‘cos if the gun had a mind, Nate just might be attached to it. Shit, he can’t win. There’s no way the world’s ever gonna be totally perfect, unless nothing and no one had minds. If everyone just kind of lay there, only moving around when the wind knocked them up, or if the rain got too hard, or if there was a flood. Natural things. Nate would lie in the grass here for days, weeks, spacing out, then some storm would move him twenty feet thtat way, and his world would change, and he’d get to know new blades of grass and new dirt and new flies or whatever. He wouldn’t die, just change. Dry out, get wet, smell one way, smell another way. No boredom, no love, no fear, no being broke, no Leon, no… nothing. Maybe that’s what will happen at world’s end, after one of the millions of viruses sneaks in folks’ bodies, and no one, no matter how total a genius, can cure them. They’ll just… collapse where they are, and never see, feel, or do anything, and eventually everyone will lose sight of each other’s existence, and just become… what? Lumps of nature. In Nate’s case, a small, smelly thing lying out in some brush. A stupid thing drifting through history, no worse or better than trees or the bugs or his gun. Oh, he longs for that day. But until then he just loves this road.

Period, page 16-17

Excerpts / 10 Comments
October 11th, 2009 / 3:59 pm

Brief Eulogy For Federman

I am rereading Malone Dies
just to mock death a little
and boost my cancerous spirit.

I shall soon be quite dead at last
Malone tells us at the beginning
of his story.

What a superb opening
what a fabulous sentence.

With such a sentence
Malone announces his death
and at the same time delays it.
–from Federman’s blog

Raymond Federman switched tenses last week. And now I really regret not having corresponded with him in time.

I would have liked to tell him how much he inspired my work, how much I admired his imagination, and how much I believe he contributed to the field of experimental literature.

I would have liked to tell him about my experience of reading his collection of postmodern essays, Critifiction, from cover to cover in one sitting at Brennan’s coffeeshop in Columbus, Ohio — how I had only intended to flip through the book while waiting for the #2 bus, but quickly found myself locked into his consciousness — how I needed to read that particular book at that particular time — how it gave me confidence and helped me to form thoughts that I struggled to form on my own — how it made me feel connected at a time when I felt supremely alienated by a creative writing program hellbent on perpetuating conventional realism and marginalizing anyone who attempted otherwise, as if I was not alone in my desire to create unorthodox wordmagic.

I would have also liked to tell him about my experiences reading his fiction…

READ MORE >

Author Spotlight / 8 Comments
October 11th, 2009 / 11:22 am

Literary Doppelgangers: Nietzsche’s moustache and bison

nietzsche.jpgState_Park.jpgWhenever I feel bad I like to browse pictures of Nietzsche because he always looks so miserable. Missouri loves company, so I don’t understand why AWP isn’t held in St. Louis. But I digress. His aphorisms cut nobody any slack. I feel if I met him at a bar, he’d punch me in the face. I think of his deathbed photo and wonder if he did any last minute bargaining with a God he killed for a nice tagline. (The Gay Science, in which he says “God is dead,” is not about anal sex — bear with me, I’m setting up a pun.) Is man merely a mistake of God’s? Or God merely a mistake of man’s?” he also asks. This is supposed to be a quick doppelganger post, so I won’t get too into it, I just think it’s funny how atheists (myself included) seem resentful towards a God they don’t believe in. I guess I’m technically agnostic, which is a philosophical way of saying I have no fucking clue. If there is a God, I don’t think he’s worried about the membership, so I figure either way I’m doing okay. So God bless America, and enjoy the rest of your weakend.

Web Hype / 28 Comments
October 11th, 2009 / 1:03 am

Movies are remade all the time.  Why not books?

Friday Fuck Books, Let’s Dance

It’s evening here on the West Coast. Almost time to go home.

httpv://www.youtube.com/watch?v=C0CmIRODuI4

httpv://www.youtube.com/watch?v=uaVGjEq_huM
READ MORE >

Random / 4 Comments
October 9th, 2009 / 9:29 pm

How many of us are going to AWP in Denver in February April? What will we Giants—I count the commenters and readers here—do to take over?

New York: Is something happening here?

empireA writer friend of mine in New York recently packed up and went to live in a cabin in the Amazon rain forest because he wanted to keep the overhead low while he was finishing a novel. Another writer I know went to Argentina to live with her novelist boyfriend where they both live cheap. I could keep listing examples, but just know that there are more.

Yet there are so many reasons to live in New York all the same. For one thing there are a lot of writers here and crazy shit happens. (One example: I got to meet Werner Herzog & hear him speak yesterday.) But there is the money issue, of course. Rent is high in a lot of places & if you eat out a lot you’re going to go broke. On the other hand there are a lot of good jobs for a writer to have here, though landing one of those jobs can be an issue.

While he was on his book tour someone asked Tao Lin if he thought there is “something happening on the east coast literary scene that is a little exciting, as opposed to [California.]” I don’t know what Tao said, but I wonder what y’all think of New York as a place for a writer to be. What is this exciting thing? Does it exist at all? I think I live here because there is no reason to have a car and I fear and loathe being in cars. Also, I have a relatively affordable set-up and can’t think of anywhere better to be…. thoughts? Alternative city suggestions? Damning accusations?

Random / 332 Comments
October 9th, 2009 / 3:44 pm

Sam Lipsyte on WTF. (Updated a little.)

httpv://www.youtube.com/watch?v=Up0IP9fQu9Q

Marc Maron, a pretty damn funny comedian and former Air America broadcaster, has moved his ranty, neurotic brilliance to a podcast called WTF.

Most of the time, he spends the “interview” portion of the podcast talking to fellow comedians, but a recent episode featured a writer I assume is beloved by Giant readers: Sam Lipsyte.

A couple of highlights. Maron at one point says: “I’ve asked you, when you’ve started novels, what it’s about, you’re like ‘I don’t know, I’m working around these two sentences.'”

And discussing Lipsyte’s lack of a website, and FSG’s suggestions that Lipsyte get a little more online savvy to help sell a few books, Sam says: “They can’t order you to tweet. It’s not that kind of society yet.”

An in-depth, craft-based writing discussion? Nah. Who the hell wants that all the time. Instead its two friends talking and making each other laugh. Sam also reads from his upcoming novel, The Ask. It’s worth it for that alone. READ MORE >

Author Spotlight & Technology / 20 Comments
October 9th, 2009 / 3:36 pm

KATHRYN REGINA AND HER CHILDHOOD PICTURE PROJECT AT WUNDERKAMMER

kathryn regina is curating the next two weeks at wunderkammer.  she will be posting pieces from a project she supervised, where a group of writers submitted a childhood picture, then another writer wrote about that picture. 

go here to check out the first intallment, featuring writing by chris killen.

Uncategorized / 4 Comments
October 9th, 2009 / 3:20 pm