Cannibal Books announces ’09 list, subscription option, and that they’re maybe throwing a party
Apparently a lot of big, cool stuff happening for Cannibal this year. Off the top of my head, I’m excited about the Claire Donato and Jared White chapbooks because I think both these cats are rad. Rad cats, they are. (You might remember that I blogged a poem of Claire’s when I wrote about Harp & Altar #5. For some instant Jared White-ification, check out this long great essay on Jack Spicer he wrote for Open Letters Monthly.)
But then there’s the cats I don’t know about, and only assume are rad. For example, Sommer Browning, who hosts a great reading series here in the city, and is super funny and fun to hang out with, but I don’t know her own work very well, so this’ll be my big chance. I also don’t know too too much about Shane Jones, except that he has a lot of fans among the writers/readers here on Giant–in particular I recall that Kendra was a huge partisan for Jones’s now-sold-out Greying Ghost chapbook, I Will Unfold You With my Hairy Hands–so I guess a lot of people are excited for that one and I further guess that if you’re excited I’m excited, because friends help each other learn and grow. Anyway, click through for the full press release from my favorite wife-husband duo in poetry:
new from Willows Wept Press
Willows Wept Press has revealed the cover of the first book in what promises to be a solid catalog. Matt Bell‘s How The Broken Lead The Blind anchors the press and is due to be printed this month. To fully appreciate the artwork by Christy Call, you can see a wraparound cover here.
You can preorder it at the website for $10. Get on it quickly, as there are only 100 copies to be printed.
And look out for the next Willows Wept book, Scott Garson‘s Vercingetorix.
Lost & Found Department: Workshop Edition
FOUND: A printout of what appears to be most of a short story, with parenthetical comments not hand-written but apparently typed into the document before it was printed out. Document pages are not numbered. There is no title or author name or critic’s name or any other identifying marks. The document was found by this agent, at a restaurant a few blocks south of NYU.
All things considered, it seems wrong to have more than a wee bit of fun with this, but a wee bit never hurt anybody, right?
The unravelling aspect of the piece is perfectly timed. The change in Howard’s attitude toward his mother’s situation is not sudden; it builds up slowly, each negative thought concerning Suzette’s appearance erasing her hold on matters. Edith is manipulative, but subtly so. That she is probably as physically frail as Suzette never really becomes an issue; such is her grip on Howard. There are many wonderful comic phrases throughout and plenty of fresh observations, such as the anthropodal patellas and the hilarious notion that obesity offends Suzette, but an obese irresponsible pet owner is more egregious. The only thing I might add is that while the attitudinal changes arise purposefully and come at correct intervals, the actual visit to Edith’s seems quite long. I enjoyed every paragraph, however, so it may not be such a pressing concern.
DFW Syllabus
You know a man is great when even his syllabus is a work of art.
Also included in the other pages (of which there are many): a wonderful reading list. At the height of my obsession, I made it policy to read every book DFW blurbed, reviewed, or mentioned in passing during interviews (including things like Brautigan’s ‘In Watermelon Sugar’ and Renata Adler’s ‘Speedboat’). I can’t remember him being off even once. Said compilation forthcoming.
Power Quote: Harold Bloom
Poetry and belief, as I understand them, are antithetical modes of knowledge, but they share the peculiarity of taking place between truth and meaning, while being somewhat alienated both from truth and from meaning. Meaning gets started only by or from an excess, an overflow or emenation, that we call originality. Without that excess even poetry, let alone belief, is merely a mode of repetition, no matter in how much finer a tone. So is prophecy, whatever we take prophecy to be.
– Ruin the Sacred Truths (p. 12)
*********SPECIAL BONUS**********
What do you mean you didn’t know that Bloom’s title is drawn from an Andrew Marvell poem about Paradise Lost?
Read Marvell’s “On Mr. Milton’s ‘Paradise Lost'”
Then why not revisit the only Andrew Marvell poem you actually know?
Robot Melon: Issue 6
New Robot Melon is out, aptly titled “preemptive metallic element integration.” Featuring the work of:
Danielle Wheeler, Gary Beck, Jared Ward, Matt Savoca, Carand Burnet, Molly Gaudry, Sarah Fouts, Hannah Pass, Sean Ruane, Jereme Dean, Susana Mai, David Bernstein, Marco Kaufman, Raffi Robert Kiureghian, and Donald Illich.
Editor Stephen Daniel Lewis has an eye for clear, concise, satisfying writing — as well as tasty design. Good times, everyone.
January 7th, 2009 / 9:05 pm
But What Will We Tell The Kids!?
Storyville Radio is a new(ish) radio show and free podcast that you can find here on their blog. This month’s episode is titled “What Will We Tell The Kids.” This show’s format is comparable to This American Life and/or Radio Lab and is equally awesome, evocative and funny. Go Listen.
TriQuarterly and the Poet Jana Harris
Yesterday, I actually left my house and went to the bookstore to try to buy a 2009 calendar (my choices, since most were gone, were between Harry Potter and one with a 3D skateboard on the cover). I also bought TriQuarterly, which I pick up from time to time, but not with any regularity, and NPlusOne, which I think I get a bit more regularly. Then I skimmed them both. Then I settled deeply into Jana Harris’s poems, (she teaches at University of Washington online), in TriQuarterly. They are gorgeous things. Here is the beginning of “Feeding My New Son With An Eyedropper, I Remember Coming to This Country with My Parents, One Trunk, and Seven Words of English”:
Word Spaces(4): Laura van den Berg
I met Laura van den Berg at AWP one year. She had written something nice on a rejection note to me after I sent something to Redivider a while ago, and so I tracked her down and said hello. Since then we’ve been in touch, seen each other around, though she’s a bit busier than I – she’s on staff at Ploughshares, Memorious, and West Branch, and she has a book of stories called What the World Will Look Like When All the Water Leaves Us forthcoming from Dzanc this November. A recent story of hers can be read online at the Boston Review site.
Anyhow, I thought it would be interesting to see where she gets her work done (and then somehow exactly recreate it in my own apartment).
Here’s what Laura has to say:
My workspace is in the kitchen of a house in North Carolina, where I’ve been living with my boyfriend since September. My computer is set up on the kitchen/dining table, near a kind of big bay window. I love windows. I have wanted all my writing life to have a workspace with lots of windows. Since our town, Blowing Rock, is up in the mountains, there’s crazy fog sometimes—fog so thick I can’t see the shapes of the trees or the car in the driveway. It’s beautiful and eerie and I love it.
On the wall behind my chair, I’ve taped up postcards, pictures, Obama paraphernalia, and a map of Boston, where I used to live. On one side of my computer, there’s a basket that my brother brought back from Morocco, a mug/pen holder, a picture, and shoeboxes, which I’m using to store random office supplies. On the other side, I have phones, my planner, and a box of notecards that say “I only have a kitchen because it came with the house.” To the right of my chair, there’s a little table, where I keep some books—right now, it’s Amy Hempel, Joy Williams, Alice Munro, Diane Williams, Kyle Minor, Deb Olin Unferth, Allison Amend. Also: lit mags; a photo book of Borneo, where I was going to set a novel; my notebook; a story I’m revising; a box of cards from the Met; a newspaper article on Darwin and Russell Wallace; Poets & Writers; another shoebox full of office supplies. The Joy Williams book I have here—The Quick and the Dead—is one of my favorite books of all times. Sometimes I open to a random page and read a paragraph and I’m always floored. Page 155, for example: “The television was on again. A startled bull with a ring through its immense nostrils stood in a river. Piranha swirled about. The bull turned gray like a block of chalk, then transparent, and then it was a skeleton, floating away.”
A set of headphones are nearby, in the basket, since I usually listen to music while working. I have somewhat schizophrenic taste in music—lately it’s been New Order, Postal Service, Sam Phillips, Jane’s Addiction, and David Bowie. My desk can be a little schizophrenic too—especially now, since I’m still unpacking from a long trip and have lots of little things that I don’t have good places for. There’s a lot of stacking going on. Pretty soon, we’re going to have to think about eating dinner elsewhere.
Thanks, Laura, for sharing.
Gaza, Day 12 & Counting
I think I almost made my mother cry on the phone the other night when–in a non-twist which surprised absolutely nobody–I explained my opposition to the present war. Probably this is because I used fiery invective and very few statistics or facts of any kind, but that’s what happens when you have an argument while cooking dinner. For what it’s worth, no statistics or facts of any kind were marshalled against me, but in any case, making my mother angry/sad was not the goal of the conversation, so later I sat down and tried to find some things online to send her that would make my case in a more nuanced and articulate way, not just because I thought she should be exposed to the information, but because I thought that I should.
This short comment-piece by Akiva Eldar, published first in Hebrew in Ha’aretz and then translated to English by Jessica Cohen for The Nation seems to me to have said what a better-informed, less irate version of myself would have said, and what this version of myself wishes he would have said. I have a copy of the book Eldar wrote (co-wrote, actually, with Idith Zertal), Lords of the Land: The War over Israel’s Settlements and the Occupied Territories 1967-2007 sitting on my shelf, but I haven’t read it. Yet.
You might also take a look at the BBC’s Key Maps and Timeline (from which above-image is borrowed)