Dan Hoy’s Stanley Kubrick’s 2001: A Space Odyssey
ORIGINS ARE THE FUTURE
Dan Hoy’s Stanley Kubrick’s 2001: A Space Odyssey
Featuring Def Leppard, Bad English, Bonnie Tyler, Orbital, Bon Jovi, Belinda Carlisle, The Sugarcubes, Shakespeare’s Sister, Journey, Roxette, The Bangles, Heart, Alphaville, The Knife, Air Supply, Duran Duran
SPECTRUM HUNTER
Discover a collection of haunted media, a benevolent tribe of new wave witches, a goth teenager with real magic powers, and much more!…When TC’s older brother Tyler goes missing, TC and Rotten Robbie set out on an adventure to find him. The trail leads them deep into the core of the uncanny Spectrum Hunter cult where they encounter bizarre rituals, puzzles, illusions, and a pantheon of adversaries. Inhabiting deserted malls, the Spectrum Hunters erect strange sound stages that form a treacherous labyrinth. Surveillance cameras document their unusual habits and the subsequent videos are sold in clandestine locations. But is it just effects? Or are the Spectrum Hunters playing for keeps?
Maryanne Amacher and Thurston Moore
That’s nice.
I made a video that critiques the opening three scenes of “Inception”
I’m trying out different ways of doing film criticism. In addition to writing articles, I think it makes sense to record commentaries (like the one I just did for Drive) and make critical videos. (My inspirations here are Mike Stoklasa and Jim Emerson.)
So here’s my own foray into the latter:
I recorded a commentary track for “Drive”
Hey, HTMLGiant. I recorded a commentary track for Drive; you can download it here. It’s an mp3, 42 MB, 104 minutes long.
Of course I made it so brilliant that you can just listen to it on its own. But if you watch it with Drive (recommended!), it’s all synced up, so cue it to start when the Universal logo starts.
Related posts:
- “DRIVE”
- “Let’s watch a scene from Drive and analyze it”
- “Cliché as Necessity (Birthing Innovation)”
- “Something Film Understands but that Literature Doesn’t”
- “A Little Bit More on Cliché”
Next, I’ll record commentary for Inception.
And Scott Pilgrim vs. the World.
And The Lord of the Rings trilogy.
And Southland Tales.
Update: I forgot to include a link to Scorpio Rising. Here’s a clip:
And here’s the full film.
Looking for Brassneck, Looking for Significance
The Wedding Present
Little by little I’m trying to get at a deep concern I have, some means of responding to what I consider to be a common and pressing situation …
A few years back, I stumbled across the music video for the Wedding Present’s song “Brassneck.” This was that band’s first US hit (well, the version that Steve Albini rerecorded was), and a song I’d always liked well enough, whenever I happened to hear it. (It’s from their second studio album, Bizarro [1989].)
This was my first time seeing the video. I spent a great deal of the late ’80s / early ’90s watching MTV, and YouTube has helped me catch up on what I missed. And what struck me about this one is its dance choreography, which reminded me a great deal of Michael Clark’s work. You’ll recall that I’m a tremendous fan of his, in particular his work in Prospero’s Books and Hail the New Puritan. The more that I watched it, the more I became convinced that Clark had somehow been behind it. And so I emailed the Michael Clark Company, asking them whether I was right.
A Company representative graciously wrote me back:
Cinema x 3: Melancholia, The Tree of Life, Feature Friday
1.
You no doubt read Greg Gerke’s deeply critical post about Lars von Trier’s Melancholia. Curtis White has now posted his own much more positive impressions of the film. I’ve tried convincing the two of them to go at it like me and Chris Higgs—I even introduced them during AWP—but they’re being too polite. Chime in in the comments section, demanding blood!
2.
Martin Seay is currently posting a series on Tree of Life; the first part went up yesterday, and part 2 is supposedly forthcoming today. (Meanwhile, don’t miss Martin’s meditations on Anonymous.)
(My own thoughts on Tree are here. I have nothing to say about Anonymous.)
3.
Every Friday at Big Other, I’m posting links to feature-length films that are up at YouTube. And I’m doing it for you!
A film I never saw
On August 26, 2007, Owen Wilson was taken to a hospital in Santa Monica, California, after slashing his wrists in a suicide attempt. A friend tells People magazine “he almost did not make it”; that Wilson’s near fatality was reduced to a cliché in a glossy may be the reason why he questioned his life, or we might question ours. Wilson had also recently broken up with Kate Hudson, so she may consider herself flattered. The truth is we will never know what went on in the mind of a made man. The money and success just not enough. Months later, The Darjeeling Limited (2007) was released, in which Wilson — his character having just suffered a horrible motorcycle accident — is seen ineffectively wearing a bunch of gauze. He and his brothers went to find their father; not his corpse, but emotional legacy. Owen’s real life brother Luke Wilson has his own suicide scene in The Royal Tennenbaums, his wrists streaming blood over curly locks of cut hair in Starry Night blue. On December 23, 1889, Vincent Van Gogh cuts off his ear (or merely the lobe, he claims) in a brothel, and hands it to a prostitute for safe keeping; Gauguin is to find him later on that night in his bed covered in blood. Some art historians propose that it was actually Gauguin who did it during a heated argument; others say it was Van Gogh’s clingy response to Theo (his brother and sole patron) getting engaged. To others, simply a bad night with a hooker. The truth is we will never know what went on in the mind of a mad man. In another similar self-portrait painted presumably that week, or even day, for he wears the same outfit, a Japanese print on the wall behind him shows two mothers and their children situated immediately next to his good ear, whispering over waves.
Let’s over-analyze to death…Gotye’s “Somebody That I Used To Know”
I love watching music videos, and I love analyzing art. So this is the first in an irregular, ongoing series where I analyze music videos, and eventually maybe other things. First up is Gotye. Somehow I didn’t know about this song until a few days ago:
Below are my semi-casual analytic thoughts.