“Published in the future.” (“A screaming comes across the sky,” translated 56 times. Here.) Also, hey. I’m reading Against the Day.
Linguistic Darwinism: Can a brand name kill the thing it was named after?
Before Facebook, there were facebooks. When I was in college, “the facebook” was one name for the (ink and paper) Pomona student handbook’s most-perused section, the photo directory of incoming freshman. Other designations were the lookbook and, more crudely but most aptly, the menu. Plenty of schools had them and many also called them the facebook. Facebook corporate mythology has it that founder Mark Zuckerberg got the idea for Facebook from the facebook issued by his high school alma mater, Phillips-Exeter. In any case, this kind of directory is surely what the company was named after.
Presumably, college students don’t need facebooks anymore because they have Facebook. I doubt they’ve been totally phased out, but I do wonder if they are still colloquially referred to as facebooks. Wouldn’t that be too confusing?
There are plenty of cases when a brand name became the de-facto generic name for something, like Kleenex or Coke (at least here in Atlanta) or Oreo. But this is a different phenomenon, wherein the brand name takes a generic thing’s name and applies it to a new form of that thing, thereby making the generic name and thing obsolete.
My father frequently uses the construction “all a-twitter.” Twitter is, after all, a verb meaning to make successive chirping noises (hence the Twitter bird icon) or to tremble with excitement (my dad’s usage is somewhat of an amalgam). Surely, much as people don’t say “gay” to mean “happy” anymore, uses of the generic verb twitter–when not in reference to micro-blogging–will diminish to nothing. But this still isn’t as extreme as the Facebook example, in that people are no less happy for not being called gay, and birds cheep no less for not being described as twittering, whereas colleges really might stop printing their own facebooks now that there is one big Facebook.
I’d love to hear if anyone can think of any other examples of this phenomenon, especially older examples–or was Facebook the first to murder its forebears?
Cage on Judgment
“Judge in a state of disinterest as to the effects of the judging.” John Cage, Lecture on Something
Suggested Pairings: Rocky’s Revenge and Johan Jonson
Days on the river, days on the river, silt in my Vibrams 5 Fingers and come home to someone leaving a 6 pack on my door brink. This is not so unusual. A palmful of people owe me beer-bets. Some pay. Tyranena Brewing Co. Rocky’s Revenge is a Lake Hills, Minnesota brown ale. The color is sort of police sketch pad easel, a rich brown/tint of red.
——————–electro-light-wave-oven———————————
Wishful stun
COLLOBERT ORBITAL sounds like an operation performed on the retina of a late night comedy show host. It is not. What is it? To speak an ecstatic technology. It is labor and language. Work and wonder. I would like to connect your tongue to a garbage disposal and then ask you to moan a song called Global Capitalist System Dynamic bribes. The fucking ocean is bleeding black tears right now. People say experimental, here it is. Packed up tight. This poetic arterial order. Bleeding, too, as it spins. worldfactory. It is an isotope slam of French writer Danielle Collobert‘s journals. Wait now. Johan Jonson flicks the switch.
July 28th, 2010 / 1:18 pm
Is Reading Really the Most Important Thing?
I have been really enjoying the interesting and insightful blog posts being written by the editors of Uncanny Valley. In a recent post, frequent HTMLGIANT commenter and Uncanny Valley co-editor Mike Meginnis offered notes on teaching an introductory creative writing class. He says really smart, practical things about teaching creative writing but I’ve been mulling over his first note quite a bit. He says, “1. Intro to CW should be more about ways of reading than ways of writing.” The more I think about this statement, the more I wonder if we rely too heavily on the notion that the best writers are the best readers. I think we offer this kind of advice more out of reflex than anything else. Hear me out. There is ample evidence that to write well, one must read well. Reading and learning how to read critically, exposes us to different writing styles, voices, and techniques. We can study styles we want to emulate. We can be challenged. We can see examples of how we want not to write. I cannot deny that some of my best writing instruction has come from reading everything I can get my hands on.
That said, I firmly believe while reading is important, it is not more important than writing and increasingly I worry we are sacrificing the practice of writing for young writers at the altar of reading. Without fail, almost every writer who is asked about what writers need to do to improve their craft states, first and foremost, that writers need to read. I’ve stated this myself, quite a few times, but either we’re teaching writing or we’re teaching reading and to have a creative writing class where writing is not foregrounded gets me thinking. Why isn’t it writing that is most important? Why don’t we say that to be a great writer, you need to, well, write?
lunar methodist 4
5. Willows Wept Review redux.
9.
Dear Darth Vader,
Vader, I love you & think you are a total badass, but when you lost Padme and yelled NOOO! Yah, that was super lame. You are supposed to be a person filled with anger & evil, not love and compassion. You really let me down with that NO. In fact, you did not only let me down, but you let all of us down, all of us Star Wars fans. Next time, be a little bit more of an evil badass, not a pretty princess.
Yours Truly, Simón Gutkin
4. An odd and lovely collection of facial expressions in literature.
Face had fallen like a waffle —Frank O’Hara
A gentle, cowlike expression passed over her face like a cloud –Colette
Had a face like a requiem —Honoré de Balzac
Help Amelia Gray and Aaron Burch raise money for their High Emission Book Tour. (Just three days left!) Or go to a reading and buy a book maybe. Whatever, just give them some money if you have it because I totally don’t but you probably do. Tucson, San Diego, LA, San Francisco, and Sacramento.
Further from Jessamyn West on David Foster Wallace as a teacher: her remembrance of him @ librarian.net, including his quote, “Just because it really happened, doesn’t make it good fiction.” Thanks again to her.
Random Live Broadcast of Recent Books I Like
The random ass live reading is over. I will probably do it again, maybe once or twice a month when there are new books to talk about.
Here are the books I randomly read pages from this evening on uStream:
Collobert Orbital by Johan Jonson, translated by Johannes Goransson
How They Were Found by Matt Bell
The Black Eye by Brian Foley
Richard Yates by Tao Lin
Poetry! Poetry! Poetry! by Peter Davis
The Cow by Ariana Reines
Pilot by Johannes Goransson