On Pretense, Piss Christ & Pizza

— Susan Sontag, “Project for a Trip to China”

So I would start out with the dictionary definition of pretense, which would be useful actually, because I feel that many people do not know it, but that would be perceived as pretentious; but then I’ve already made the presumption that many don’t know the meaning of pretense, and thus pretentious and so; in fact, the whole premise of this is totally. An obscure quote? Semi-colons? What an ass, like lifting one cheek. Okay so.

I feel that 99% of the time the word pretentious is used in one very general way: to describe something someone doesn’t understand; either the phrasing of a thing, or the reach, the jargon, whatever. Now you might say, well look Reynard sometimes people are acting the fool and so I call them out when I need to call them out. And I feel you on that (also that is a very polite way to speak to me, thank you). It’s the literary equivalent of honking your horn. Some people honk at white space. I like it. Some people do not enjoy cheese. I can not comprehend their decisions. Why should we agree? Nothing says that anywhere. Some words have such totality, it frightens people. They cannot pry the concept from the object, even if the object does not exist in front of them, which is statistically VERY LIKELY.

The problem is most people use their horn for no reason. Most of the time when they say “pretentious” what people mean is “bombastic.” Bombast is inflated speech, using big words for no real reason, other than to sound smart. If the words are not used incorrectly, because they were culled from some thesaurus with passive regard for the range of their meanings, they are usually used in a way that either adds no greater specificity to the sentence or distracts the reader from the intended meaning. We know all this. So yeah, this is not good. But it is not pretentious either. And you don’t need to use your horn so much.

Then there are those times, like when some jerk doesn’t use his blinker, when a writer’s tone is, in your opinion, pretentious. But look, all tones are affected, even those that come naturally. That’s my opinion anyway. And at a certain point, all of it becomes a matter of opinion. Isn’t everything though? One could try to cite every sentence one writes, but one must eventually face the problem of threes, which is who and how and why? Okay, let’s simmer down a bit. I think I was trying to say something here. Maybe I should have written this essay in a satirical style, so as to deflect whatever criticisms a reader might have into the void of chuckledom and “I have a t-shirt that says I’m with stupid, shall I put it on?” Some people think everything on this site is pretentious. The thing is, those people are right.

To pretend is, of course, the very root of all literary and artistic creation. Were it not for pretense, nothing would get done. No one would tell a single story. Let alone write a poem. All literature is pretentious.

To be against pretense is to be against creation.

READ MORE >

Craft Notes / 25 Comments
April 22nd, 2011 / 10:46 am

Reviews

Daniel Borzutzky’s The Book of Interfering Bodies

Daniel Borzutzky’s The Book of Interfering Bodies opens with a quote from the 9/11 commission report:

It is therefore crucial to find a way of routinizing, even bureaucratizing, the exercise of imagination.

This is how the book begins. This book: a powerful parable about the routinization and bureaucratization of the exercise of imagination. This book: so strongly influenced by Zurita’s poetic and painful experiences. This book: a grostesque fairy tale about poetry and books, where the Poet is small and lethal and Books that contain all the world’s secrets waste away in a wasteland pile of shit.

READ MORE >

7 Comments
April 21st, 2011 / 12:47 pm

It’s Maundy Thursday!

Random / 4 Comments
April 21st, 2011 / 12:25 pm

A Lot of Them Ugly & A Lot of Them Dark: An Interview with xTx

xTx has two books published Normally Special and Nobody Trusts a Black Magician.  She has been published at Lamination Colony, Metazen, Word Riot, and a million other places.  I don’t actually know if xTx is a human being or a hamster but her book made me have a lot of emotions.  Her stories “Standoff” and “The Mill Pond” show an amazing understanding of the craft of writing but at the same time they don’t lose emotion.

NC: Who are some of your favorite authors and describe why you like them?  But also what writers have influenced your style?

xTx: I always feel like I’m going to take a bullet for admitting this but, whatever. I’m not going to lie so I can fit in with the cool kids.   The mainstream authors that always come to mind when I am asked this question are Stephen King, Chuck Palahniuk and Jonathan Ames.  Stephen King because I started reading him when I was super young and the stories he told blew my mind.  I loved the evil versus good and the ugly and the weird and the scary he always brought.  I love Chuck because that shit is fucked up good, yo; his stories, his characters, the detail, the uniqueness, the strange.  I can never get tired of Chuck.  I like Jonathan Ames because he’s so honest, self-deprecating and funny.

But to be honest, after I devoured all of their books, I really haven’t read these guys in a handful of years.  Especially since I discovered the online lit scene and started reading all the zines that were out there and finding out there were ‘regular’ people out there making words that could also blow me away.

The books/authors that have blown me away recently are:  Paula Bomer/Baby & Other Stories, Rachel P. Glaser/Pee On Water, Lindsay Hunter/Daddy’s, Danielle Evans/Before You Suffocate Your Own Fool Self, and Alissa Nutting/Unclean Jobs for Women and Girls.  Amazing books…all of them.

I can’t really say that any writers have influenced my style, at least consciously.  I mean, maybe years of reading King and then Chuck put me in a place that savors the fucked up, dark and magical.  Or maybe that place was always there and King and Chuck found them.  If anything, being exposed to so much online literature taught me that there are so many ways to write and so many ways to tell a story and that gave me the confidence to trust in how I wanted to write things even if I felt that maybe it was the ‘wrong’ way.

READ MORE >

Author Spotlight / 25 Comments
April 21st, 2011 / 10:47 am

The whole job is to write yourself into confusion and humility.

George Saunders

Power Quote / 3 Comments
April 21st, 2011 / 9:10 am

Open Letter to Bill Knott

"Cover 6--03/15/11," media unknown, Bill Knott

Dear Bill Knott,

I love the free PDF books of your poetry. I have greedily downloaded them, even though I also have copies of your more traditionally published books. I’m writing to let you know that it would be really easy to make these already free books available for wider free dissemination on ebook readers including the Kindle, Nook, and SonyReader. Although there are sophisticated softwares that would make possible extravagant multi-platform releases, the easiest thing to do would be to make the poems available as .txt files in addition to the PDF’s you already share so freely. I ask because I would like to carry your poems with me everywhere I go. Probably I am not the only person who has this desire, but probably other people are too intimidated to ask, for fear that the request will be met with an entertainingly self-deprecating response on your blog. So I also ask on behalf of the others.

Your small but rabid readership awaits your next gesture of charity. Also, if you choose to make these files available, I will link them prominently here on HTMLGiant, and you will have an instant readership of 100-1000 new readers (estimated), many of whom will be encountering your poetry for the first time. Happily, would be my guess. Also, given the reprobate nature of our readership, many of those readers would likely send copies of the poems to friends without sending you a cent. I would imagine that this imposition of piracy and victimhood might also appeal to you. If you chose to receive it as a gift, I would request a reciprocal gift of more visual art, some of which I would promise to display prominently on the site in celebration of your work and in lament of your frequent dismissal of it, which may be sincere, but which is anyway wrongheaded, since you are one of the most important poets of my reading life.

Sincerely,

Kyle Minor
Reader
Toledo, Ohio

Random / 10 Comments
April 21st, 2011 / 3:09 am

Sara McGrath is the new associate editor of Titular Journal. We killed Krammer Abrahams because we found out he was not a human being. We used his skin to build a physical masthead. It’s at Jimmy’s condo. Just kidding, Krammer is alive and well and has a book coming out (came out? I dunno). Anyway, send Sara and me some shit. Make it up. Have fun with it. Base it on a movie, TV show, or novel and name it after that movie, TV show, or novel. That seems fun, right? It is. Okay cool.

Novel Writing, Cooking, Walking, Running

If you are a fiction writer, you will inevitably be asked when you plan to release a novel. If you don’t have an answer to that question, or if the answer to that question is, “I have no idea,” or “never,” other writers will look at you strangely. There is an expectation, for fiction writers, that your primary ambition is to produce novel-length work despite a professional education system (the MFA system) that, for better or worse, focuses primarily on the craft of the short story. The short story, while fairly popular in literary magazines, often seems beleaguered within the greater context of the publishing industry. There are lots of notions that the reading public is not interested in the short story and as such, there is less need for a genre for which there is not a significant audience.

Most of the advice about finding an agent implies that if you don’t have a complete novel draft or one well underway, you shouldn’t even bother with seeking representation because short story collections don’t sell. This mantra is repeated over and over although there is ample evidence that it is, indeed, possible to publish a short story collection. Certainly, publishing a story collection is more challenging, particularly with bigger presses, than publishing a novel, but I read collections regularly and don’t foresee that changing anytime soon. I cannot be alone in enjoying short story collections and finding them abundant. Nothing is ever as dire as the rhetoric implies until, of course, you have written nothing but several short story collections and they are sitting, quietly, on your hard drive, gathering virtual dust.

READ MORE >

Craft Notes / 40 Comments
April 20th, 2011 / 4:39 pm

Irresponsible Book Reviews

[The following book reviews are of books which have not been read, their commentary based solely off of the cover art, cultural projection (i.e. other book reviews, hearsay, author shtick, just “that feeling”), and the book’s title.]

Mao II

With the success of Mao (now known as “Mao I”), DeLillo just had to milk Mao II, which like most sequels (e.g. Karate Kid II, The Hangover II) is basically the exact same story taking place in Asia — which brings us to DeLillo’s story of a schizophrenic 20 lbs. overweight Chinese communist who thinks he’s a Warholian version of himself. The narrator wanders around all day self-obsessed by lyrical thoughts with vague allegorical tendencies; that and he likes wearing girl’s underwear. If this sounds like Murakami, you’re in the wrong country. Asian people may all look the same, but the street signs differ. DeLillo’s captivating portrait of the fragmented individual is coaxed by his succulent, yet restrained prose. There is a difference between non-American and un-American, and while our conservative folk may accuse him of the latter for his unflinching accounts of post-America, his expanded look into the universal human, in their commonality, makes complete humans of us all. Awesome Dim Sum scene in Chapter 5, just saying.

READ MORE >

Web Hype / 21 Comments
April 20th, 2011 / 12:11 pm

Lotsa Action

HEY, there’s a new jubilat website! Heather Christle tricked it out with all kinds of good, including stuff from the archives, an A/V closet, and a wack index.

Excellent Dark Sky Magazine is doing a give for the excellent Brian Allen Carr’s excellent Short Bus. Yarta goget tha buk. On the now.

At Full Stop, David Backer points to Buzz Mauro’s Everyday Genius story and says that “dressed up with a few offhand observations, whimsical musings and flourishes of free association, ‘Delicious Noodles’ asserts itself as a convincing self-contained whole.” Then Backer points to a story by Matt Bell, from Conjunctions, that I overheard Matt talking about in a bar in DC on Saturday. “You’re supposed to do whatever you want with it,” he said (paraphrase).

Gabe Durham’s Fun Camp book will be out from Mud Luscious in 2013. If you’re an online literature reader, you’ve probably seen a piece from this here or there cuz they been everywhere man.

Also in new books: Publishers Weekly announces Melissa Broder’s Meat Heart, forthcoming from PGP in February. Also in PGP: Chris Toll’s The Disinformation Phase is now available for pre-order.

Also also: congratulations to Stephanie Barber, announced yesterday as a finalist for the Sondheim Prize.

At Tyrant Books, pre-orders are open for Michael Kimball’s renewed novel, Us, too.

And Dzanc just nabbed three by Stephen Graham Jones.

I feel like these roundups are of limited value. Is anyone still with me? There’s more goodness.

Like life. Ariana Reines remembers Paul Violi in a personal post that really blew me away.

If you’re not reading Bill Knott’s cranky blog, you don’t know what the Internet is.

What is the poetic equivalent of this throw from SS (Alexi Casilla, 4/18/11)? In what journal would it appear?

Author News / 6 Comments
April 20th, 2011 / 8:32 am